This new recording features the celebrated Requiem of 1605, Victoria’s final composition, a work of beguiling beauty and sumptuous simplicity. It can be seen as the summation of both his art and the Spanish Renaissance tradition. The beautiful plainsong on which it is structured can be heard arching through the texture, forming a delicate and sinuous line throughout. Subtly accompanied by a chamber organ and bajón, it is recorded here with the same forces as may well have performed it originally in the Monasterio de las Descalzas Reales.
The Requiem is preceded by Marian Antiphons interspersed with three motets setting texts from the Song of Songs.