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CX 9952
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CX 9952
Chamber Music - BRADE, W. / SIMPSON, T. (Taffel Consort) (Bremen Weser-Renaissance, Cordes)

Chamber Music - BRADE, W. / SIMPSON, T. (Taffel Consort) (Bremen Weser-Renaissance, Cordes)

The Classical Shop
release date: November 2013

Originally recorded in 2013

Artists:

Manfred Cordes

Conductor

Bremen Weser-Renaissance

Ensemble

Bremen Weser-Renaissance

Chamber

Venue:

Schlosskapelle im Schloss Brake bei Lemgo, Germany

Venue

Record Label
CPO

Genre:

Chamber


Classical

Total Time - 71:49
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Chamber Music - BRADE, W. / SIMPSON, T. (Taffel Consort) (Bremen Weser-Renaissance, Cordes)

     
Select Complete Single Disc for
 

WILLIAM BRADE

1 

Paduana and Galliard a 6 in G Major

04:40
     
2 

Paduana, Galliard and Coranta a 5 in A Minor

06:38
     
3 

Ballett a 5 in D Minor

01:15
     
4 

Coral

06:21
     
5 

Paduana and Galliard a 6 in G Major

05:49
     
6 

Allmand and Coranta a 5 in D Minor

01:26
     
7 

Paduana and Galliard a 6 in G Minor

06:07
     
8 

Allmand a 5 in G Major

01:40
     
9 

Paduana and Allmandi a 6 in G Major

06:04
     
 

THOMAS SIMPSON

10 

Newer Paduanen, Galliarden, Intraden, Canzonen, Ricercaren, a 5, Op. 22

01:37
     
11 

Neuwer Pavanen, Galliarden, Couranten unnd Volten, a 5, Op. 30

03:02
     
12 

Taffel-Consort

03:43
     
13 

Ballet and Volta a 5 in D Major

02:07
     
14 

Neuwer Pavanen, Galliarden, Couranten unnd Volten, a 5, Op. 30

05:28
     
15 

Canzon a 5 in C Major

03:42
     
16 

Ballett a 5 in D Major, "La mia Salome"

02:03
     
17 

Neuwer Pavanen, Galliarden, Couranten unnd Volten, a 5, Op. 30

07:10
     
18 

Almande a 4 in C Major

01:40
     
19 

Mascarada a 5 in G Major

01:17
     
 Bremen Weser-Renaissance Ensemble
 Manfred Cordes Conductor
No Notes Found.

"...there is much to enjoy on this CD. Brade and Simpson were both accomplished composers ... The performances are mostly very good , with well-judged tempi ... generally good tuning and ensemble, and a sense that everyone is thinking along the same lines about the musical shapes..."

Peter Holman - Early Music Review - February 2014




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