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DA 5013
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DA 5013

Stevenson: Passacaglia

Released Date:
01 Dec 2007

Originally recorded in 2007

Artists:

Murray McLachlan

piano

Venue:

Kings Hall, University of Newcastle upon Tyne

15/16 Jul 1999

Producer:

Stephen Sutton



Engineer:

Douglas Doherty



Record Label
Divine Art

Genre:

Piano




Total Time - 75:33
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RONALD STEVENSON

  Passacaglia on DSCH  
   
 

Pars Prima

 
1 Sonata allegro 6:46
2 Waltz in rondo-form 2:27
3 Episode 1: presto 1:01
 

Suite

 
4 Prelude 2:37
5 Sarabande 1:08
6 Jig 0:15
7 Sarabande 0:18
8 Minuet 2:34
9 Jig 0:15
10 Gavotte 1:36
11 Polonaise 1:46
12 Pibroch (Lament for Children) 2:09
13 Episode 2: arabesque variations 2:35
14 Nocturne 2:07
   
 

Pars Altera

 
15 Reverie-Fantasy 1:59
16 Fanfare 0:16
17 Forebodings: Alarm 0:15
18 Glimpse of a war vision 0:35
19 Variations on 'Peace, Bread and the Land' (1917) 0:32
20 Symphonic March 2:06
21 Episode 3: valante scherzoso 1:58
22 Fandango 0:57
23 Pedal Point: 'To emergent Africa' 2:05
24 Central Episode: etudes 1:45
25 ?? 5:07
26 Variations in C minor 2:42
   
 

Pars Tertia:

 
27 Adagio: tribute to Bach 1:15
  Triple Fugue over ground bass:  
28 Subject 1: andamento 5:04
29 Subject 2: BACH 6:08
30 Subject 3: Dies Irae 5:15
31 Final Variations on theme derived from ground (adagissimo barocco) 10:00


This is a very important release for lovers of 20th century music, featuring one of the most fascinating and important piano works of the 20th century. Passacaglia is, first, one of the longest continuous solo keyboard pieces ever written. It has collected almost a cult following.  It is also a piece of wide variety, collecting in influences from the music of many places, but based strongly and closely throughout on the initials DSCH (for Dmitri Schostakovich). We are pleased to dedicate this disc to the composer in celebration of his recent 75th birthday.


Pianist Murray McLachlan is one of Britain’s leading exponents of modern music.

“[Stevenson displays]… a revelatory understanding of the keyboard… both an astonishing compositional achievement and a deeply impressive emotional experience.   The CD is a considerable achievement in musical and sound-recording terms: a wonderful 75th birthday present for the composer. Strongly recommended."

Robert Matthew-Walker

Musical Opinion

“The performance is thrilling. His approach to the work somehow manages to combine an improvisatory freshness and a sense of the inevitability of the form. McLachlan … plays it here as if mastering its praeternatural difficulties were as natural as running your fingers through your hair. Strongly recommended ” 

Martin Anderson

International Piano Magazine

“Murray McLachlan’s… terrific at sustaining cumulative momentum and keeping textures fresh and diversified during the work’s lengthy opening and closing sections. … there’s much to admire in McLachlan’s colouristic instincts and seasoned musicality” 

Jed Distler
 

BBC Music Magazine

"Here is a committed performance… It could be argued that no pianist has grown up with this work in closer proximity than McLachlan… an exciting pianist. The work is… a living organism… an experience." 

Colin Scott-Sutherland

Music Web

“...something of a tour de force… Murray McLachlan is an impressive exponent of this score and he is very well recorded”    * * *  ("outstanding - key recording")
 

The Penguin Guide

"Murray McLachlan...  turns in a noble, committed, sometimes harrowing performance"

American Record Guide



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