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DA 5036
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DA 5036
Jill Crossland Live at Restoration House

Baroque gems for keyboard

The Classical Shop
release date: November 2007


Artists:

Jill Crossland



Venue:

Restoration House, Rochester



Engineer:

Gilead Limor



Record Label
Divine Art

Genre:

Piano


Baroque

Total Time - 57:34
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Jill Crossland Live at Restoration House

     
Select Complete Single Disc for
 

JOHANN SEBASTIAN BACH

 

English Suite No. 3 in G minor, BWV 808

 
1 I Prelude 3:40
     
2 II Allemande 3:40
     
3 III Courante 2:20
     
4 IV Sarabande 3:56
     
5 V Gavottes I & II 3:29
     
6 VI Gigue 3:07
     
7 

Fnatasia in C major, BWV 906

5:26
     
 

Prelude and Fugue in C minor, BWV 846

 
8 I Prelude 2:01
     
9 II Fugue 1:51
     
 

Prelude and Fugue in D major, BWV 850

 
10 I Prelude 1:31
     
11 II Fugue 2:22
     
 

Prelude and Fugue in D minor, BWV 851

 
12 I Prelude 1:21
     
13 II Fugue 2:31
     
 

Prelude and Fugue in D minor, BWV 875

 
14 I Prelude 1:36
     
15 II Fugue 2:19
     
 

GEORGE FRIDERIC HANDEL

16 

Chaconne in G major, HWV 435

10:59
     
 

GIUSEPPE DOMENICO SCARLATTI

17 

Sonata in E major, Kk 380

5:25
 Jill Crossland


This CD is a recording of a live concert given at Restoration House, Rochester, on the 1824 Jirikowsky fortepiano. A fine recital by a recognised baroque specialist.

“Jill Crossland has the ability to present Baroque and early Classical music with a depth of response that brings it alive and to make it timeless… it is quite a shock to encounter Crossland playing a fortepiano. Plenty of Crossland magic to be savoured.”

Colin Anderson

Classical Source

“Crossland’s playing is highly demonstrative with powerful bass strokes, strongly articulated phrasing and incisive accenting. She provides an exceptional performance [of the English Suite]… a confident interpretation of storytelling proportion. The disc is highly rewarding and especially recommended to fortepiano enthusiasts”

Don Satz

Music Web

“The English Suite receives an expository treatment, with the lucid phrasing emphasized by crisp articulation and well-placed agogic accents. The Scarlatti Sonata is particularly well characterized. Crossland really cuts loose [in the Handel], with a performance full of intensity and, at times, real pathos”

Robert Levett
 

International Record Review

“This engaging live recital grabbed and held our attention… fresh rhythmic liveliness, telling agogics and a predominantly light articulation… has given unique pleasure and satisfaction”

P.G.Woolf

Musical Pointers

“Thrilling sound… lucid yet powerful interpretations [of the Bach]… masterly performance [of the Handel]… the whole programme can be recommended with confidence. Divine Art’s recording quality is superb.”

Geoffrey Crankshaw

Musical Opinion



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