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DA 5059
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DA 5059
John Garth - Six Concertos for Violoncello

Garth: Cello Concertos

Released Date:
01 Mar 2008

Originally recorded in 2008

Artists:

Richard Tunnicliffe

Cello

The Avison Ensemble



Venue:

Paxton House, Berwick upon Tweed



Engineer:

Philip Hobbs



Record Label
Divine Art

Genre:

Orchestral & Concertos


Baroque

Total Time - 93:33
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John Garth - Six Concertos for Violoncello

   
 

JOHN GARTH

     


Select Complete Single Disc for
 

Cello Concerto no. 1 in D major

 
1 I 1. Allegro 7:37
  World premiere  
2 II 2. Andante 4:40
  World premiere  
3 III 3. Giga 4:50
  World premiere  
     
 

Cello Concerto no. 2 in B flat major

 
4 I 1. Allegro moderato 4:15
  World premiere  
5 II 2. Affettuoso 2:46
  World premiere  
6 III 3. Allegro assai 4:56
  World premiere  
     
 

Cello Concerto no. 3 in A major

 
7 I 1. Allegro 4:39
  World premiere  
8 II 2. Andante 4:43
  World premiere  
9 III 3. Allegro 4:49
  World premiere  
 

Cello Concerto no. 4 in B flat major

 


Select Complete Single Disc for
1 I 1. Presto 3:12
  World premiere  
2 II 2. Andante affettuoso 6:18
  World premiere  
3 III 3. Minuet 4:26
  World premiere  
     
 

Cello Concerto no. 5 in D minor

 
4 I 1. Allegro 7:26
  World premiere  
5 II 2. Adagio affettuoso 3:03
  World premiere  
6 III 3. Allegro moderato 6:28
  World premiere  
     
 

Cello Concerto no. 6 in G major

 
7 I 1. Allegro 7:29
  World premiere  
8 II 2. Siciliana 5:16
  World premiere  
9 III 3. Allegro 6:40
  World premiere  
     
 Richard Tunnicliffe Cello


There are many fine compositions still lying undiscovered, and until recently this was true of the six Cello Concertos by John Garth.  This native of Durham in Northern England proves to be a brilliant composer, and these concertos (which are believed to be the earliest examples of the Cello Concerto written in Britain) are surely the equal of those produced by Handel. Played on period instruments by one of Britain’s leading baroque-music ensembles.

“Very worthy of investigation”

Peter Spaull

Liverpool Daily Post

“The orchestration throughout is sound, unimpeachable and the small ensemble forces offer Richard Tunnicliffe sterling support. The recording sounds highly sympathetic and attractive. Tunnicliffe’s achievement is to characterise the concertos with individuality, to bring them to life with a strong sense of character… he manages to do so with real flair and technical surety.”

Jonathan Woolf

Music Web

“Accomplished stuff: melodically attractive, pleasingly fluent. The performances are technically and musically skilled, both from Richard Tunnicliffe and the one-to-a-part band vibrantly led by Pavlo Beznosiuk. The recording is clear and airy – perfectly fitting for this refreshing release."

Lindsay Kemp

Gramophone

“Garth’s concertos will bear comparison with anything of the time from Mannheim or Vienna, and are a real gift to cellists. They should be much better known. The concertos are beautifully played by Richard Tunnicliffe, very stylishly accompanied by a one-to-a-part group — for which three cheers! I strongly recommend these highly enjoyable discs.”

Richard Maunder

Early Music News

“Garth does show considerable powers of invention, avoiding cliché and turning corners with grace and wit. The slow movements are particularly attractive. The performances are excellent, with Richard Tunnicliffe irresistibly mixing grace and virtuosity. The recording is clear without sounding clinical or fierce. In performances such as these the present Concertos give immense pleasure. “

John Sheppard

Music Web

“ This is wonderful music, possessed of flair, style, and occasional significant breadth. The performances are equally commendable. Richard Tunnicliffe is in complete control of his instrument. The Avison Ensemble ... play with generous helpings of solid musicianship, not to mention complete dedication. The tempos are comfortable, never rushed or lugubrious, and the sound is quite vivid,This is a must-have for cellists, Anglophiles, and all who cherish music of the era; it is also the latest inductee into our Classical Hall of Fame.”

Michael Carter

Fanfare

“The performers here cherish every note of the music. This is a very fine achievement. Memorable music, persuasively performed, richly recorded and among the most rewarding releases of the year.”

Simon Heighes
 

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