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DA 5111
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DA 5111
Jill Crossland plays MOZART, BEETHOVEN, BACH and BUSONI

Piano Recital: Crossland, Jill - MOZART, W.A. / BEETHOVEN, L. van / BUSONI, F.

The Classical Shop
release date: November 2013

Originally recorded in 2013

Artists:

Jill Crossland

Soloist

Venue:

St Paul's Church, Deptford, London, England, United Kingdom

Venue

Record Label
Divine Art

Genre:

Instrumental


Classical

Total Time - 64:29
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Jill Crossland plays MOZART, BEETHOVEN, BACH and BUSONI

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

1 

Fantasia in D Minor, K. 397

05:30
     
2 

Fantaisia with two pianos on Mozart Variations "Ah ! vous dirai-je, maman", K. 265

11:44
     
 

LUDWIG VAN BEETHOVEN

 

Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight"

 
3 I. Adagio sostenuto 05:44
4 II. Allegretto 01:59
5 III. Presto agitato 07:24
     
 

6 Bagatelles, Op. 126

 
6 No. 1 in G Major 03:15
7 No. 2 in G Minor 02:40
8 No. 3 in E-Flat Major 02:55
9 No. 4 in B Minor 03:51
10 No. 5 in G Major 02:33
11 No. 6 in E-Flat Major 04:28
     
 

FERRUCCIO BUSONI

 

Bach - 10 Chorale Preludes

 
12 No. 2. Wachet auf, ruft uns die Stimme, BWV 645 03:39
13 No. 3. Nun komm' der Heiden Heiland, BWV 659 04:59
14 No. 5. Ich ruf' zu dir, Herr, BWV 639 03:48
     
 Jill Crossland Soloist


Jill Crossland is renowned especially in her native UK but also internationally as a specialist in baroque and classical period repertoire and her previous recordings of Beethoven and Bach have been highly praised. This recital contains fine and distinctive performances of the ubiqitous ’Moonlight’ , two Mozart pieces and three of Busoni’s legendary transcriptions of Bach Chorale Preludes.   Jill’s thoughtful and individual readings make this a great buy even for the seasoned collector of core repertoire.

"... Crossland’s playing has a distinctive and driven quality to it, which certainlybrings a good deal of zeal and excitement to her interpretation ... The sound is quite ambient byt kep well within tolerance for this repertoire."

Mark Tanner - International Record Review - 5 February 2014




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