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DC 4043
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DC 4043
Die Vogel unter dem Himmel

Schutz/ Scheidt: Sacred choral music

The Classical Shop
release date: October 2010

Originally recorded in 2010

Artists:

Mike Brewer


John Kitchen

organ

Edward Batting

organ

The National Youth Choir of Great Britain



Venue:

Merton College Chapel, Oxford


St Alban the Martyr, Holborn, London



Producer:

Paul Baxter



Engineer:

Adam Binks



Record Label
Delphian

Genre:

Choir


Religious

Total Time - 74:14
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Die Vogel unter dem Himmel

   
Select Complete Single Disc for
 

SAMUEL SCHEIDT

(1587-1654)
1 

Modus pleno organo pedaliter a 6 (from Tabulatura nova)

1:22
   
 

HEINRICH SCHUTZ

(1585-1672)
2 

Wie lieblich sind deine Wohnungen SWV 29

7:37
3 

Ich weiß, daß mein Erloser lebt SWV 393

2:37
   
 

SAMUEL SCHEIDT

4 

Ein kindelein so lobelich (from the Gorlitzer Tabulatur-Buch)

3:28
   
 

HEINRICH SCHUTZ

5 

Die Himmel erzahlen die Ehre Gottes SWV 386

4:30
6 

So fahr ich hin zu Jesu Christ SWV 379

2:43
   
 

SAMUEL SCHEIDT

7 

Da Jesus an dem Kreuze (from the Gorlitzer Tabulatur-Buch)

2:17
   
 

HEINRICH SCHUTZ

8 

Die mit Tranen saen werden mit Freuden ernten SWV 378

3:26
9 

Aus der Tiefe ruf ich, Herr, zu dir SWV 25

4:23
   
 

HEINRICH SCHEIDEMANN

10 

Toccata G-dur

5:04
   
 

HEINRICH SCHUTZ

11 

Herr, unser Herrscher SWV 27

4:37
12 

Cantate Domino canticum novum SWV 81

3:22
13 

Meine Seele erhebt den Herren (Deutsches Magnificat) SWV 494

7:37
   
 

SAMUEL SCHEIDT

14 

Ein feste Burg ist unser Gott (from the Gorlitzer Tabulatur-Buch)

2:54
   
 

HEINRICH SCHUTZ

15 

Singet dem Herrn einneues LIed SWV 35

5:31
   
 

JAN PIETERSZOON SWEELINCK

(1562-1621)
16 

Puer nobis nascitur

3:07
   
 

HEINRICH SCHUTZ

17 

Alleluja! Lobet den Herren in seinem Heiligtum SWV 38

9:39
 Edward Batting organ


Choral doyen Mike Brewer takes his 140-strong ‘NYC’ on a pilgrimage of Heinrich Schütz’s music. Their massed voices revel in the polychoral magnificence of Schütz’s soaring lines, complemented by Kitchen’s contributions on the powerful Rieger organ of St Giles’ Cathedral, Edinburgh. Revered as the ‘Orpheus of our time’ by his contemporaries, Schütz would never have heard his music performed by forces such as these and on such a scale - surely he would have been a strong advocate of this astounding aural experience.

’This is choral singing of the very first rank’

 

International Record Review - February 2007

’… sublime, fervent singing’
 

Classic FM Magazine - February 2005



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