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DE 3456
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DE 3456
Opera Arias (Bass): Abdrazakov, Ildar - RACHMANINOV, S. / GLINKA, M.I. / BORODIN, A.P. / MUSSORGSKY, M.P. (Power Players: Russian Arias for Bass)

Opera Arias (Bass): Abdrazakov, Ildar - RACHMANINOV, S. / GLINKA, M.I. / BORODIN, A.P. / MUSSORGSKY, M.P. (Power Players: Russian Arias for Bass)

The Classical Shop
release date: January 2014

Recorded in 24 Bit / 96Khz

Originally recorded in 2014

Artists:

Kaunas City Symphony Orchestra

Orchestra

Constantine Orbelian

Conductor

Ildar Abdrazakov

Soloist

Kaunas State Choir

Choral

Venue:

Kaunas Philharmonic, Kaunas, Lithuania, United Kingdom

Venue

Record Label
Delos

Genre:

Opera


Classical

Total Time - 68:20
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Opera Arias (Bass): Abdrazakov, Ildar - RACHMANINOV, S. / GLINKA, M.I. / BORODIN, A.P. / MUSSORGSKY, M.P. (Power Players: Russian Arias for Bass)

     
Select Complete Single Disc for
 

SERGEI RACHMANINOV

1 

Aleko

06:19
     
 

MIKHAIL IVANOVICH GLINKA

 

Ruslan and Lyudmila, Op. 5

 
2 Act II: Scene and Farlaf's Rondo: Ya ves'drozhu 03:34
3 Act II: Rusian's Aria: O pole, pole 11:47
     
 

ALEXANDER PORFIR'YEVICH BORODIN

4 

Prince Igor (Knyaz Igor)

07:38
     
 

MODEST PETROVICH MUSSORGSKY

5 

Boris Godunov

02:11
     
 

ANTON RUBINSTEIN

6 

The Demon

05:05
     
 

PYOTR IL'YICH TCHAIKOVSKY

7 

Eugene Onegin, Op. 24

05:37
     
8 

Iolanta, Op. 69

04:31
     
 

MIKHAIL IVANOVICH GLINKA

9 

Zhizn' za tsarya (A Life for the Tsar), Op. 4

05:56
     
 

SERGEY PROKOFIEV

10 

Voyna i mir (War and Peace), Op. 91

04:31
     
 

NIKOLAY ANDREYEVICH RIMSKY-KORSAKOV

11 

Sadko

02:53
     
 

MODEST PETROVICH MUSSORGSKY

12 

Boris Godunov

08:18
     
 Ildar Abdrazakov Soloist
 Constantine Orbelian Conductor

Delos DE 3456

Vadym Kholodenko Plays Medtner and Rachmaninoff

In her foreword for the booklet of this Delos release, the company’s director, Carol Rosenberger, wrote: ‘The legendary Russian pianism of yesteryear is alive and well! When I listen to Vadym play the piano, I feel that I am witnessing a musical reincarnation.’ The qualities to which she alludes are the same ones that inspired the judges, audiences, and media critics attending the 2013 Van Cliburn Competition to respond to Kholodenko’s artistry with awe-stricken rapture.

‘Russian pianism’ is best demonstrated via the interpretation of music by Russian composers – and here Vadym Kholodenko’s choice of relatively uncommon repertoire by two of Russian music’s ‘golden-age’ composer-pianists is especially revealing: nine of Serge Rachmaninoff’s thirteen intriguing piano transcriptions, plus the brilliant but unjustly neglected ‘Night Wind’ Sonata, in E minor (his seventh), by Nikolai Medtner, considered his supreme masterpiece.



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