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DH 7811
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DH 7811

Peter Warlock - Collected 78rpm Recordings

Released Date:
01 Mar 2010

Originally recorded in 2010
Artists:

The Constant Lambert String Orchestra


Constant Lambert


Sir John Barbirolli


Lesley Woodgate


Anthony Bernard


Miss Sanders


Roy Henderson


Gerald Moore


John Goss


Roy Henderson

baritone

Dennis Noble

baritone

John Goss

baritone

John Armstrong

baritone

Cecil Cope

baritone

Oscar Natzke

bass

Peter Dawson

bass

Billy Master Neeley

boy soprano

Nancy Evans

contralto

Ann Wood

contralto

Flora Nielsen

contralto

Diana Poulton

lute

Nikita Magaloff

piano

Gerald Moore

piano

Eric Griffen

piano

Peter Pears

tenor

Rene Soames

tenor

Parry Jones

tenor

Joseph Szigeti

violin

Leon Goossens

vocal

Rene Soames

vocal

BBC Chorus


Cathedral Male Voice Quartet


The English Singers


Truro County Girl's School Choir


The Festival Singers


London Chamber Orchestra


NGS Chamber Orchestra


The Pasquier Trio


The Griller String Quartet


International String Quartet



Record Label
Divine Art Historical

Genre:

Historic




Total Time - 144:02
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  Peter Warlock: Collected 78rpm recordings from the John Bishop Collection  
   
 

PETER WARLOCK

1 

Capriol Suite

 8:26
 Anthony Bernard
2 

Serenade for Strings

 7:21
 Sir John Barbirolli
3 

Capriol Suite (arr. by Josef Szigeti)

 5:23
 Joseph Szigeti violin
 Nikita Magaloff piano
4 

Serenade for Strings

 6:40
 Constant Lambert
5 

Capriol Suite

 8:41
 Constant Lambert
 

PURCELL

arr. Warlock
6 

Fantaisie No.3

 4:17
7 

Four Part Fantasia No.9

 3:09
 

PETER WARLOCK

8 

The Curlew

 21:53
 Rene Soames vocal
 Leon Goossens vocal
9 

Captain's Stratton's Fancy

 1:49
 Peter Dawson bass
 Gerald Moore piano
10 

Oh Good Ale (The Toper's Song)

 1:26
 John Goss baritone
11 

Flow not fast, ye fountains

 2:09
12 

There is a garden in her face

 1:20
13 

O eyes, O mortal stars

 1:28
14 

Come, my Celia

 1:39
 John Goss
 Diana Poulton lute
15 

Corpus Christi

 3:03
16 

Sleep

 2:12
17 

Chop Cherry

 0:59
 John Armstrong baritone
18 

The Fox

 2:42
19 

Sleep

 2:24
20 

Take o take those lips away

 2:07
21 

Sweet and King

 2:13
22 

As Ever I Saw

 1:41
23 

The Passionate Shepherd

 2:08
 Parry Jones tenor
  with anonymous piano accompaniment  
24 

Corpus Christi

 3:58
 Ann Wood contralto
 Peter Pears tenor
 Lesley Woodgate
25 

A Cornish Christmas Carol

 3:55
 Lesley Woodgate
26 

Six Nursery Jingles

 3:08
 Cecil Cope baritone
27 

Milkmaids

 1:43
28 

Captain Stratton's Fancy

 1:43
 Roy Henderson baritone
 Eric Griffen piano
29 

Sigh No More

 1:20
30 

Pretty Ring Time (A lover and his Lass)

 1:11
31 

Passing By

 2:26
32 

My Own Country

 2:55
33 

Fair and True

 2:27
34 

Piggesnie

 0:58
 Roy Henderson
 Gerald Moore piano
35 

Sweet and Twenty

 1:14
36 

Consider

 1:50
37 

Sleep

 2:58
 Nancy Evans contralto
 Gerald Moore
   
38 

Rest Sweet Nymphs

 2:08
  Miss Sanders
39 

The First Mercy

 2:48
 Billy Master Neeley boy soprano
40 

Corpus Christi

 4:45
 Flora Nielsen contralto
 Rene Soames tenor
 Lesley Woodgate
41 

The Frostbound Wood

 3:10
42 

The Fox

 2:29
 Dennis Noble baritone
 Gerald Moore piano
43 

Captain Stratton's Fancy

 1:46
 Oscar Natzke bass
   
Peter Warlock – collected 78rpm recordings

Philip Heseltine, aka Peter Warlock, was an enigma in many ways – song-writing and arranging genius, fine orchestrator – but also a political animal, bon-viveur, and ultimately a self-absorbed depressive who took his own life. This download comprises many of the recordings of Warlock’s work issued on standard-groove records between 1925 and 1951. All were lovingly collected by the late John Bishop, stalwart of the Peter Warlock Society, which has generously assisted with the production of this album. It can be seen as a tribute to one of England’s most influential composers of the early twentieth century. Detailed notes on the man and his music, and these recordings, are included. The performers number some of Britain’s finest of the age.

‘One of the happiest of recent historical releases… music-making that is both intimate and intense. Some treasurable performances that would otherwise be extremely difficult to track down. The transfers are good and so are the notes.’

Rob Cowan, Gramophone
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