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Organ Music - CAVAZZONI, M. / FOGLIANO, J. / ANTICO, A. / VALENTE, A. / MACQUE, G. (Historic Organ Series, Vol. 7) (Marcon)

Organ Music - CAVAZZONI, M. / FOGLIANO, J. / ANTICO, A. / VALENTE, A. / MACQUE, G. (Historic Organ Series, Vol. 7) (Marcon)

The Classical Shop
release date: February 2013

Originally recorded in 2010

Artists:

Andrea Marcon

Soloist

Venue:

Chiesa SS, di Cristo, Valvasone, Italy



Record Label
Divox

Genre:

Instrumental


Classical

Total Time - 69:42
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Organ Music - CAVAZZONI, M. / FOGLIANO, J. / ANTICO, A. / VALENTE, A. / MACQUE, G. (Historic Organ Series, Vol. 7) (Marcon)

     
Select Complete Single Disc for
     
 

MARCO ANTONIO CAVAZZONI

1 

Ricercada di Marcantonio da Bologna

3:11
     
2 

Plus de regres

2:51
     
 

GIACOMO FOGLIANO

3 

Ricercare

1:55
     
 

ANDREA ANTICO

4 

Per mio ben ti vedrei

1:53
     
 

GIACOMO FOGLIANO

5 

Ricercare

2:43
     
 

ANDREA ANTICO

6 

Per dolor mi bagno il viso

3:20
     
 

GIACOMO FOGLIANO

7 

Ricercare

3:09
     
 

GIROLAMO CAVAZZONI

8 

Canzon sopra I le bel e bon

2:29
     
 

CLAUDIO VEGGIO

9 

Recercada in B minor

4:52
     
 

GIROLAMO CAVAZZONI

10 

Ricercare No. 4

5:11
     
11 

Canzon sopra Falt d'argens

3:08
     
12 

Ricercare No. 2

5:05
     
13 

Ave maris stella

2:43
     
 

GIOVANNI DE MACQUE

14 

Durezze e Ligature

3:59
     
 

ANTONIO VALENTE

 

Versi in D major

 
15 Versus I 1:07
     
16 Versus II 0:55
     
17 Versus III 1:15
     
18 Versus IV 1:05
     
19 Versus V 1:05
     
20 Versus VI 1:59
     
 

GIOVANNI DE MACQUE

21 

Consonanze stravaganti

2:49
     
 

ANDREA GABRIELI

22 

Canzoni alla francese et ricercari ariosi, Book 5

4:41
     
 

GIOVANNI GABRIELI

23 

Fantasia quarti toni

2:44
     
 

CLAUDIO MERULO

24 

Toccata prima dell' undecimo tono

5:33
     
 Andrea Marcon Soloist


          Organ Masters of The Italian Renaissance
 
The recently restored organ of Valvassone occupies a unique place in the history of Italian organs as it is the only surviving instrument of Venice on which the prodigious output of 16th century Venetian organ music can be heard as it would have originally sounded. For itself it constitutes a vivd testimony of a musical civilization that reached its peak in Venice during the Renaissance; a culture reflected in the sonorities of the organ of Valvassone in which intense cantabile of the Tenori stop, the beautifully round voice of the Flauto and the solemnity of the Ripieno celebrate, similarly to the great Venetian paintings, the taste for magnificence and luminosity of colour
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