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DI 0202
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DI 0202
Vocal Music - CACCINI, G. / BASSANI, O. / LUZZASCHI, L. / BONIZZI, V. / TERZI, G. / MERULO, C. (Accademia Instrumentale Italiana)

Vocal Music - CACCINI, G. / BASSANI, O. / LUZZASCHI, L. / BONIZZI, V. / TERZI, G. / MERULO, C. (Accademia Instrumentale Italiana)

The Classical Shop
release date: February 2013

Originally recorded in 2010

Artists:

Accademia Instrumentale Italiana

Ensemble

Luca Guglielmi

Soloist

Beatrice Pornon

Soloist

Accademia Instrumentale Italiana



Venue:

Villa San Fermo, Lonigo, Vicenza, Italy



Record Label
Divox

Genre:

Chamber


Classical

Total Time - 62:12
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Vocal Music - CACCINI, G. / BASSANI, O. / LUZZASCHI, L. / BONIZZI, V. / TERZI, G. / MERULO, C. (Accademia Instrumentale Italiana)

     
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GIULIO CACCINI

1 

Ch'io non t'ami, cor mio

2:27
 Accademia Instrumentale Italiana Ensemble
     
 

ORAZIO BASSANI

2 

Toccata per la viola

1:23
 Accademia Instrumentale Italiana Ensemble
     
 

GIULIO CACCINI

3 

Tutto 'l di piango e poi la notte quando

6:02
 Accademia Instrumentale Italiana Ensemble
     
 

LUZZASCO LUZZASCHI

4 

Toccata del quarto tono

1:48
 Luca Guglielmi Soloist
     
 

GIULIO CACCINI

5 

Dalla porta d'oriente

1:47
 Accademia Instrumentale Italiana Ensemble
     
 

VINCENZO BONIZZI

6 

Jouissance vous donneray

6:02
 Accademia Instrumentale Italiana Ensemble
     
 

GIULIO CACCINI

7 

Torna, deh torna, pargoletto mio

4:34
 Accademia Instrumentale Italiana Ensemble
     
 

GIOVANNI ANTONIO TERZI

8 

Intavolatura di liutto, Book 1

2:52
 Beatrice Pornon Soloist
     
 

GIULIO CACCINI

9 

Amarilli mia bella (My beautiful Amaryllis)

2:48
 Accademia Instrumentale Italiana Ensemble
     
 

CLAUDIO MERULO

10 

Susanne un jour

5:00
 Luca Guglielmi Soloist
     
 

GIULIO CACCINI

11 

Con le luci d'un bel ciglio

1:48
 Accademia Instrumentale Italiana Ensemble
     
 

ORAZIO BASSANI

12 

Toccata per la viola

1:19
 Accademia Instrumentale Italiana Ensemble
     
 

OTTAVIO RINUCCINI

13 

Dolcissimo sospiro

2:43
 Accademia Instrumentale Italiana Ensemble
     
 

GIOVANNI ANTONIO TERZI

14 

Vestiva i colli

5:27
 Accademia Instrumentale Italiana Ensemble
     
 

GIOVANNI BATTISTA GUARINI

15 

La bella man vi stringo

2:05
 Accademia Instrumentale Italiana Ensemble
     
16 

Amor, io parto, e sento nel partire

3:34
 Accademia Instrumentale Italiana Ensemble
     
 

FRANCESCO MARIA BASSANI

17 

Io son ferito ahi lasso

6:02
 Accademia Instrumentale Italiana Ensemble
     
 

GABRIELLO CHIABRERA

18 

Vaga su spin'ascosa

3:17
 Accademia Instrumentale Italiana Ensemble
     
 

GIULIO CACCINI

19 

Amor, ch'attendi

1:14
 Accademia Instrumentale Italiana Ensemble


«Dolcissimo Sospiro»
Italian late Renaissance composer Giulio Caccini (1551-1618) was not only one of the most famous composers of his time but also an exceptionally gifted singer. However, as for the interpretation of his songs, he was at odds with his colleagues: During the Renaissance, there was a long tradition of allowing singers and instrumentalists to enrich every type of music with free inventions added at their pleasure. At the same time, such freedom of ornamentation was one of the main reasons for confusion and disagreements at musical performances. Caccini’s strong disapproval of this fashion is expressed in his preface to his “Nuove musiche”, an anthology of his works published in 1602. Here the composer seemed genuinely interested in the performance of his works and meticulously notated the ornaments, laying down their quantity and nature very precisely as a means of supporting the expression of the text. In comparison to the familiar manuscript versions with added ornaments, the monodies published by Caccini are embellished only sparingly and with great discretion, searching for a poetic and musical expression that should come as close as possible to the style of singing with lyre accompaniment as it was practiced and described by the Ancients. "Dolcissimo sospiro" presents a fine selection of strophic arias and madrigals from Caccini’s “Nuove Musiche”.
 
Singer of those “sweetest sigh”, Roberta Invernizzi, is one of the most sought-after sopranos in the field of Early Music. She has sung in many of the most important theatres in Europe and the United States, as well as at famous festivals, working with conductors like Ton Koopman, Gustav Leonhardt, Andrew Parrot, Jordi Savall and Fabio Biondi. She regularly collaborates with ensembles like Il Giardino Armonico, Europa Galante and I Sonatori della Gioiosa Marca. Her opera performances include principal roles in a broad variety of baroque operas. She has made over 60 recordings, many of which have been recognized by the musical press with awards like Choc de l’année, Diapason D’Or and Choc Musique.
 
The Accademia Strumentale Italiana, an ensemble specialised on Early Music, has performed extensively in Italy, Spain, Belgium, Switzerland, Austria and Germany and has been invited to several international festivals. It’s members have worked with some of the most important ensembles in Europe such as the Amsterdam Baroque Orchestra, Hesperion XX, Il Giardino Armonico, La Reverie and I Sonatori de la Gioiosa Marca. Since 1991 Alberto Rasi has been the group’s musical director. The ensemble is currently composed of consort of violas and lutes, who are joined by guest artists in larger projects.
 
MIDEM AWARD for the BEST RECORDING EARLY MUSIC 2007
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