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DI 0501
VIVALDI, A.: Sinfonie d'opera (I Virtuosi delle Muse, Molardi)

VIVALDI, A.: Sinfonie d'opera (I Virtuosi delle Muse, Molardi)

The Classical Shop
release date: February 2013

Originally recorded in 2011

Artists:

Molardi, Stefano


Stefano Molardi

Conductor

Virtuosi delle Muse, I



Venue:

Roncegno, Casa Raphael, Trento, Italy



Record Label
Divox

Genre:

Orchestral & Concertos


Classical

Total Time - 61:03
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VIVALDI, A.: Sinfonie d'opera (I Virtuosi delle Muse, Molardi)

     
Select Complete Single Disc for
 

ANTONIO VIVALDI

     
 

L'Olimpiade, RV 725: Sinfonia

 
1 I. Allegro 2:06
2 II. Andante 2:37
3 III. Allegro moderato 0:58
4 IV. Allegro molto 1:13
     
 

L'incoronazione di Dario, RV 719: Sinfonia in C major

 
5 I. Allegro 2:20
6 II. [Andante] 1:33
7 III. Presto 1:04
     
 

Giustino, RV 717: Sinfonia

 
8 I. Allegro 2:17
9 II. Andante 2:34
10 III. Allegro 0:41
     
 

Concerto for Strings in F major, RV 137

 
11 I. Allegro 1:57
12 II. Andante 3:34
13 III. Presto 1:05
     
 

Armida al campo d'Egitto, RV 699: Sinfonia

 
14 I. Allegro 1:44
15 II. Andante 2:18
16 III. Allegro 0:58
     
 

Arsilda, regina di Ponto, RV 700: Sinfonia

 
17 I. Allegro 1:38
18 II. Andante 1:51
19 III. Presto 0:32
     
 

La Senna festeggiante, RV 693: Ouverture

 
20 Part I: Allegro 2:31
21 Part I: Andante molto 2:41
22 Part I: Allegro molto 1:45
23 Part II: Adagio 0:40
24 Part II: Presto 1:42
25 Part II: Allegro molto 0:57
     
 

Sinfonia in C major, RV 112

 
26 I. Allegro 1:40
27 II. Andante 1:30
28 III. Presto 0:37
     
29 

La fida ninfa, RV 714

3:53
     
 

Griselda, RV 718: Sinfonia

 
30 I. Allegro 1:53
31 II. Andante 2:24
32 III. Minuet 0:47
     
 

Dorilla in Tempe, RV 709: Sinfonia

 
33 I. Allegro 1:49
34 II. Andante 2:32
35 III. Allegro 0:42
     
 Stefano Molardi Conductor
 Molardi, Stefano


Sinfonie d’opera
 
The first DIVOX production with the "Virtuosi delle Muse" is devoted to Vivaldi’s opera oeuvre. It presents Vivaldi’s opera overtures not only in a form that incorporates the latest findings of Vivaldi research, but also in a new sound interpretation: thanks to a variety of tone colors, a wealth of orchestral articulations, and dynamics that are clear and rich in contrast, these overtures strikingly convey the action and atmosphere of the stage work they precede – whereby they date from a time when the "overture" did not yet exist as an acoustical preview of the operatic plot. The use of original instruments such as the viola d’amore, which was never again used in the context of Vivaldi’s operas, is also an innovation in the present-day performance practice of Vivaldi’s works.
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