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DI 0906
PERRIN, J.: Piano Concerto, Op. 41 / Violin Concerto / Introduction et Allegro, Op. 30 / Cello Concerto, Op. 27 (Musique Concertante) (Antonioli)

PERRIN, J.: Piano Concerto, Op. 41 / Violin Concerto / Introduction et Allegro, Op. 30 / Cello Concerto, Op. 27 (Musique Concertante) (Antonioli)

The Classical Shop
release date: February 2013

Originally recorded in 2011

Artists:

Kammerakademie Potsdam


Antonioli, Jean-Francois


Brigitte Meyer

Soloist

David Bruchez

Soloist

Emil Rovner

Soloist

Jean-Francois Antonioli

Soloist

Tanja Becker-Bender

Soloist

Venue:

Jesus-Christus Kirche, Berlin Dahlem, Germany



Record Label
Divox

Genre:

Orchestral & Concertos


Classical

Total Time - 67:18
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PERRIN, J.: Piano Concerto, Op. 41 / Violin Concerto / Introduction et Allegro, Op. 30 / Cello Concerto, Op. 27 (Musique Concertante) (Antonioli)

     
Select Complete Single Disc for
     
 

JEAN PERRIN

 

Piano Concerto, Op. 41

 
1 I. Adagio 9:44
 Brigitte Meyer Soloist
     
2 

Piano Concerto, Op. 41

8:06
 Jean-Francois Antonioli Soloist
     
 

Violin Concerto

 
3 I. Molto Lento 6:27
 Tanja Becker-Bender Soloist
     
4 II. Allegro non troppo e giocoso 6:58
 Jean-Francois Antonioli Soloist
     
 

JEAN-FRANCOIS ANTONIOLI

 

Introduction et Allegro, Op. 30 (arr. J. Balissat and J.-F. Antonioli)

 
5 I. Adagio 3:45
 Jean-Francois Antonioli Soloist
     
 

JEAN BALISSAT

6 II. Allegro 3:47
 David Bruchez Soloist
     
 

JEAN PERRIN

 

Cello Concerto, Op. 27

 
7 I. Allegro deciso 11:44
 Jean-Francois Antonioli Soloist
     
8 II. Adagio non troppo 10:07
 Emil Rovner Soloist
     
9 III. Allegretto 6:40
 Jean-Francois Antonioli Soloist
 Antonioli, Jean-Francois


JEAN PERRIN  - MUSIQUE CONCERTANTE
 
The works of the Swiss composer Jean Perrin rank among the gems of 20th-century music. The profound originality of these works, whose composer refused to follow the fashionable trends of the day, is finding more and more admirers today, twenty years after Perrin’s death. 
 
Jean Perrin was born in Lausanne on 17 September 1920. He began studying literature at the University and piano at the Conservatory in Lausanne at the same time, and concluded his studies with a licenciate and a virtuoso diploma. He then went on to Paris to study composition with Darius Milhaud and Nadja Boulanger. His music had nothing in common with that of the young serial composers who were then leaving their stylistic mark on contemporary composition. At best, one can describe Perrin’s compositional style as a kind of lyrical abstraction in music. Perrin devoted himself heart and soul to composition in part because he found in it the possibility of calming his own inner turmoil. Beyond this subjective aspect, however, the listener marvels at a new kind of beauty and stylistic coherence which endow the work with a unique expressiveness. Although his works were performed during his lifetime, they did not win much recognition. 
 
The present album documents a portion of Jean Perrin’s oeuvre. Subsidized and made possible by the Jean Perrin Foundation, this project underscores the composer’s broad compositional spectrum through the choice of the works on the recording.
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