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DI 9407
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DI 9407
SCHUMANN, R.: Adagio and Allegro / BRAHMS: Cello Sonata No. 1 / HERZOGENBERG: Duo / RONTGEN: Cello Sonata (Brahms and His Friends, Vol. 2)

SCHUMANN, R.: Adagio and Allegro / BRAHMS: Cello Sonata No. 1 / HERZOGENBERG: Duo / RONTGEN: Cello Sonata (Brahms and His Friends, Vol. 2)

The Classical Shop
release date: February 2013

Originally recorded in 1997

Artists:

Claudius Herrmann

Soloist

Saiko Sasaki

Soloist

Venue:

Radio DRS/ Radiostudio Zurich, Switzerland



Record Label
Divox

Genre:

Chamber


Classical

Total Time - 71:45
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SCHUMANN, R.: Adagio and Allegro / BRAHMS: Cello Sonata No. 1 / HERZOGENBERG: Duo / RONTGEN: Cello Sonata (Brahms and His Friends, Vol. 2)

     
Select Complete Single Disc for
     
 

ROBERT SCHUMANN

 

Adagio and Allegro, Op. 70

 
1 Adagio 4:17
 Claudius Herrmann Soloist
     
2 

Adagio and Allegro, Op. 70

4:39
 Saiko Sasaki Soloist
     
 

JOHANNES BRAHMS

 

Cello Sonata No. 1 in E minor, Op. 38

 
3 I. Allegro non troppo 13:39
 Claudius Herrmann Soloist
     
4 II. Allegretto quasi menuetto 5:27
 Claudius Herrmann Soloist
     
5 III. Allegro 6:18
 Claudius Herrmann Soloist
     
 

HEINRICH VON HERZOGENBERG

 

Duo in D major, Op. 12

 
6 I. Massig - Bewegter 7:05
 Claudius Herrmann Soloist
     
7 II. Langsam, fromm - Etwas bewegter 3:47
 Claudius Herrmann Soloist
     
8 III. Rasch - Massiger 6:08
 Claudius Herrmann Soloist
     
 

JULIUS RONTGEN

 

Cello Sonata No. 1 in B flat major, Op. 3

 
9 I. Allegro moderato 7:26
 Saiko Sasaki Soloist
     
10 II. Romanze: Andante con moto 5:39
 Saiko Sasaki Soloist
     
11 III. Allegro 7:20
 Claudius Herrmann Soloist


 «The truth of the moods in which the concert piece has its roots is so strikin and compelling that the performing artist will gladly seek to measure his powers with it and return to it again and again - as my experience has shown me - in spite of the many difficulties in it.»

 
Emanuel Klitzsch, Neue Zeitschrift für Music, March 29, 1850, about Schumann’s «Adagio and Allegro Op. 70»

 «The truth of the moods in which the concert piece has its roots is so strikin and compelling that the performing artist will gladly seek to measure his powers with it and return to it again and again - as my experience has shown me - in spite of the many difficulties in it.»

 
Emanuel Klitzsch, Neue Zeitschrift für Music, March 29, 1850, about Schumann’s «Adagio and Allegro Op. 70»



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