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DI 9703
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DI 9703
Organ Music - PESCETTI, G. / GALUPPI, B. / PAGANELLI, G. / CERVELLINI, G. / VALERI, G. (Historic Organ Series, Vol. 4) (Marcon)

Organ Music - PESCETTI, G. / GALUPPI, B. / PAGANELLI, G. / CERVELLINI, G. / VALERI, G. (Historic Organ Series, Vol. 4) (Marcon)

The Classical Shop
release date: February 2013

Originally recorded in 2000

Artists:

Andrea Marcon

Soloist

Venue:

Chiesa di San Leonardo, Treviso, Italy



Record Label
Divox

Genre:

Instrumental


Classical

Total Time - 70:58
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Organ Music - PESCETTI, G. / GALUPPI, B. / PAGANELLI, G. / CERVELLINI, G. / VALERI, G. (Historic Organ Series, Vol. 4) (Marcon)

     
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GIOVANNI BATTISTA PESCETTI

 

Keyboard Sonata in C minor

 
1 I. Vivace e maestoso 3:04
     
2 II. Allegro 2:34
     
3 III. Minuetto 3:29
     
 

BALDASSARE GALUPPI

4 

Sonata per flauto

2:01
     
 

GIUSEPPE ANTONIO PAGANELLI

 

30 Arias for Organ and Cembalo

 
5 No. 2. (sub elevatione) 1:55
     
6 No. 22. (sub elevatione) 3:20
     
7 No. 13. (sub elevatione) 1:23
     
 

BALDASSARE GALUPPI

 

Keyboard Sonata in D minor, Illy No. 66

 
8 I. Andante 3:08
     
9 II. Allegro 2:11
     
10 III. Largo 3:46
     
11 IV. Allegro e spiritoso 1:52
     
 

GIOVANNI BATTISTA CERVELLINI

12 

Pastorale

2:24
     
13 

Organ Sonata in F major: Allegro

4:17
     
 

GAETANO VALERI

 

12 Organ Sonatas, Op. 1

 
14 Organ Sonata No. 3: Rondeau grazioso 1:40
     
15 Organ Sonata No. 9: Allegro moderato 4:08
     
16 Organ Sonata No. 6: Siciliana 5:07
     
 

ANDREA LUCCHESI

17 

Organ Sonata No. 2 in F major

3:08
     
18 

Organ Sonata No. 1 in C major

4:07
     
 

IGNAZIO SPERGHER

 

Organ Sonata V

 
19 I. Allegro con brio 3:31
     
20 II. Andante grazioso 4:32
     
21 III. Allegro con brio 3:12
     
 

NICCOLO MORETTI

22 

Sonata VI ad uso offertorio

2:19
     
23 

Sonata X ad uso sinfonia

3:50
     
 Andrea Marcon Soloist


 The 18th century witnesses the emergence in the region of Veneto of an organ-building school, that redimensioned noticeably the characteristic sounds of the Baroque organ. The leader of this school was the famous organ-builder Pietro Nacchini. The route forged by Nacchini was taken up by an extraordinary organ builder whom all refer to as Nacchini’s true artistic successor, Gaetano Callido. This album was recorded in the church of San Leonardo in Treviso and all the works are performed on the church’s organ built by Gaetano Callido in 1787.

 
In the Baroque era, organ literature was also influenced by the instrumental music which was evolving rapidly alongside it. Venetian composers preferred to write for the harpsichord or the pianoforte. And when they did write for the organ, the style and formal idiom of their works were better suited to the harpsichord and its possibilities. While German composers were developing the “empfindsamer Styl”, Italian musicians indulged in a sober compositional style characterized by refined elegance. The galant Venetian style is encountered in the sonatas of Galuppi and Pescetti. In the second half of the 18th century, Venetian composers began assimilating the new forms of the classical sonata and the symphony.
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