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DI 9902
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DI 9902
TRADITIONAL: Italian Folksongs (Coro Della Sat, Pedrotti)

TRADITIONAL: Italian Folksongs (Coro Della Sat, Pedrotti)

The Classical Shop
release date: February 2013

Originally recorded in 2000

Artists:

Pedrotti, Mauro


Mauro Pedrotti

Conductor

Coro Della Sat



Venue:

Ginger-Studio, Trento, Italy



Record Label
Divox

Genre:

Choir


Classical

Total Time - 52:15
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TRADITIONAL: Italian Folksongs (Coro Della Sat, Pedrotti)

     
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ARTURO BENEDETTI MICHELANGELI

1 

La pastora e il lupo (arr. A.B. Michelangeli)

3:41
     
2 

Entorno al foch (arr. A.B. Michelangeli)

2:55
     
3 

Io vorrei (arr. A.B. Michelangeli)

3:25
     
4 

La scelta felice (arr. A.B. Michelangeli)

2:13
     
5 

La figlia di Ulalia (arr. A.B. Michelangeli)

2:48
     
 

TRADITIONAL

6 

Il maritino (arr. A.B. Michelangeli)

1:49
     
7 

La mia bela la mi aspetta (arr. A.B. Michelangeli)

3:12
     
 

ARTURO BENEDETTI MICHELANGELI

8 

Che fai bela pastora? (arr. A.B. Michelangeli)

2:51
     
9 

La bela al mulino (arr. A.B. Michelangeli)

2:26
     
10 

Era nato poveretto (arr. A.B. Michelangeli)

1:51
     
11 

I lamenti di una fanciulla (arr. A.B. Michelangeli)

4:05
     
12 

'Ndormenzete popin (arr. A.B. Michelangeli)

3:13
     
 

TRADITIONAL

13 

Serafin (arr. A.B. Michelangeli)

2:27
     
 

ARTURO BENEDETTI MICHELANGELI

14 

La blonde (arr. A.B. Michelangeli)

1:55
     
 

TRADITIONAL

15 

Lucia Maria (arr. A.B. Michelangeli)

3:48
     
 

ARTURO BENEDETTI MICHELANGELI

16 

Vien moretina (arr. A.B. Michelangeli)

1:54
     
17 

La brandolina (arr. A.B. Michelangeli)

2:26
     
 

TRADITIONAL

18 

Le soir a la montagne (arr. A.B. Michelangeli)

3:10
     
 

ARTURO BENEDETTI MICHELANGELI

19 

La Maitinade del Nane Periot (arr. A.B. Michelangeli)

2:06
     
 Mauro Pedrotti Conductor
 Pedrotti, Mauro


 A revolution -thus can be defined, without risk of exaggeration, the advent of Michelangeli among the ranks of harmonizers of the Coro della SAT. Michelangeli had intuited the performance capacities of this famous choir, though he adapted them to his own sensibility and artistic requirements. A revolution it was, but one embraced in a natural way, as if the great pianist and the choir had to meet and had always known the fact.

 
The result is extraordinary: the suspended chords, chromatic scales, the pedal point of the basses, the harmonies set in glorious polyphonic structure, the rhythmic changes, the timbres sought by Michelangeli opened up a new world for the choir, while the choir for its part offered itself to the Artist as an instrument pliant and at the same time creative, alive and full of vitality - overcoming without difficulty the initial perplexities regarding the enormous contrast between not merely the two "Pastora"s but two opposed modes of conceiving popular song.
 
A must for everyone who actually admires and wants to know other aspects of the Maestro Arturo Benedetti Michelangeli.
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