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DK 6557
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DK 6557
ROSING-SCHOW, N.: Peinture du temps (TM+, Cuniot)

ROSING-SCHOW, N.: Peinture du temps (TM+, Cuniot)

The Classical Shop
release date: March 2013

Recorded in 24 Bit / 44.1Khz
album available as a Studio Master
Originally recorded in 2013

Artists:

Cuniot, Laurent


Laurent Cuniot

Conductor

TM+

Ensemble

TM+



Venue:

Royal Danish Academy of Music, Denmark



Record Label
CPO

Genre:

Chamber


Classical

Total Time - 60:59
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ROSING-SCHOW, N.: Peinture du temps (TM+, Cuniot)

     
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NIELS ROSING-SCHOW

     
1 

I giardini dietro la citta (The Gardens behind the City)

12:22
 Laurent Cuniot Conductor
 Cuniot, Laurent
     
2 

Vocabulary II

11:28
 Laurent Cuniot Conductor
 Cuniot, Laurent
     
3 

Spectre du temps (Spectre of Time)

12:41
  TM+ Ensemble
     
4 

Empreintes du temps (Imprints of Time)

10:10
  TM+ Ensemble
     
5 

Peinture du temps (Painting of Time)

14:18
 Laurent Cuniot Conductor
 Cuniot, Laurent


Time paints its picture  by Eva Ohrt
 
Time as motion, as process, as imprints or mappings, and time as space, are rewritten and explored musically and philosophically in the five works on this album. In sound, texture and form the works express various aspects of time as the dimension of music par-excellence - as it is embedded in music by the composer, but also as the imprints that music leaves on the listener’s mental screen.
 
In connection with the work Peinture du temps (Painting of Time), which is also the title of this album, the composer Niels Rosing-Schow writes: "Musical memory - recollection -is the canvas on which music - time - paints its picture". As the eye moves across the picture, which thus gradually emerges for the viewer, so does the musical work grow up for the listener in time with the music, finally to exist only as memory when the music ends and the time of the work has run out.
 
In the work Vocabulary II we can experience the dimension of time as a pro-gressive transformation from one state to another. Such musical processes occur often in Niels Rosing-Schow’s music and appear in various ways in all the works on the album. Throughout the work I giardini dietro la città the transformation has a magical, dream-like character: it is music that unfolds the time-space of the dream.
 
The album is rounded off by the ‘time trilogy’ Spectre du temps, Empreintes du temps and Peinture du temps, three chapters in a story of time in music. The trilogy is dedicated to the French composer Gérard Grisey (1946-1998). Inspired by Grisey, who was himself profoundly fascinated by musical time, Rosing-Schow works here with three different musical/poetic times: metrically measured time - the relentless ticking of the seconds; the suspension of time - time ‘standing still’; and finally the fluctuating everyday experience of time, sometimes fast, sometimes slow.
 

 "Five chamber-scale works demonstrating Rosing-Schow’s fascination with time, particularly its role as medium for transformation. Slthough rather forbidding, they repay concentration and are full of unexpected textures."  ****

Barry Witherden - BBC Music magazine  (Brief Notes section) - May 2013




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