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DP 0005

Back From Before

The Classical Shop
release date: May 2010

Originally recorded in 2010

Artists:

David Rees-Williams Trio



Venue:

Music Room, Champs Hill, West Sussex

27-29 October 2009

Clyde St., Canterbury

29-30 January 2010

Producer:

Alexander van Ingen


David Rees-Williams



Engineer:

Alexander van Ingen



Record Label
DePaeaN

Genre:

Jazz / Ragtime & Blues


Piano

Total Time - 69:11
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Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless
 
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  Back From Before  
  Music arranged by David Rees-Williams  
   
 

CHARLES-MARIE WIDOR

1 

Symphony No.6 (organ), Movement 1

7:31
   
 

SAMUEL SEBASTIAN WESLEY

2 

Wash Me Throughtly

4:46
   
 

ORLANDO GIBBONS

3 

The Queenes Command/Preludium

5:44
   
 

GIOVANNI BATTISTA PERGOLESI

4 

Stabat Mater / Se tu n'ami

6:23
   
 

SAMUEL SEBASTIAN WESLEY

5 

Gavotte

3:02
   
 

JOHANN SEBASTIAN BACH

6 

Prelude in C major / Partita No.2 in C minor

10:40
   
 

PYOTR IL'YICH TCHAIKOVSKY

7 

Symphony No.4, Movement 2, Adagio

7:02
   
 

WOLFGANG AMADEUS MOZART

8 

Gigue in G, K.574

3:49
   
 

JOHANN SEBASTIAN BACH

9 

Das alte Jahr vergangen ist

5:37
   
 

WOLFGANG AMEDEUS MOZART

10 

Ave Verum Corpus

5:37
   
 

SAMUEL SEBASTIAN WESLEY

11 

Lead Me Lord

6:00
   
 

C.H.H PARRY

12 

Laudate Dominum

3:00
Back from Before – David Rees-Williams Trio

The David Rees-Williams Trio presents another innovative collection of re-interpreted historic music in a modern jazz flavoured medium. Back from Before follows previous recordings by the Trio, presenting classical music with a contemporary accent. There seems to be an inexhaustible supply of inspiring and musically suggestive themes from all eras just waiting to be breathed on; while many of these are little known, some will be familiar only to churchgoers, and ex-choir members.

The Trio writes: ‘This is an eclectic collection whilst having an obvious leaning towards church repertoire. I felt that the Wesleys very much needed to have their case stated – they were highly gifted melodists and their tunes connect strongly even to the previously uninitiated. Widor, also largely unknown except to organists, provides a theme of huge impact. Orlando Gibbons gives us a broad grin for his galliard and manic prelude! As ever, J.S. Bach proves that he was probably responsible for the most adaptable music around and Parry shows us how to write the perfect hymn tune. Mozart demonstrates his dual personality in the wackiness of the Gigue contrasting with the remarkably memorable theme Ave Verum. Pergolesi, meanwhile, pulls at the heart-strings and Tchaikovsky can “do commercial” too! We are so lucky to have been left this legacy.’

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*****
Liked the first one so much I had to buy the others.
P Cresswell