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DY 0710
LEGRENZI, G.B.: Trio Sonatas, Op. 2 / Missa lauretana / La querini (Testamentum) (Favero)

LEGRENZI, G.B.: Trio Sonatas, Op. 2 / Missa lauretana / La querini (Testamentum) (Favero)

The Classical Shop
release date: July 2012

Originally recorded in 2012

Artists:

Favero, Riccardo


Riccardo Favero

Conductor

Lia Serafini

Soloist

Jolando Scarpa

Soloist

Riccardo Favero

Soloist

Oficina Musicum Chorus


Oficina Musicum Ensemble



Record Label
Dynamic

Genre:

Chamber


Classical

Total Time - 58:33
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LEGRENZI, G.B.: Trio Sonatas, Op. 2 / Missa lauretana / La querini (Testamentum) (Favero)

     
Select Complete Single Disc for
     
 

GIOVANNI BATTISTA LEGRENZI

 

18 Trio Sonatas, Op. 2: No. 2. La spilimberga

 
1 I. (Adagio) 3:54
 Riccardo Favero Conductor
 Favero, Riccardo
     
2 II. Adagio 0:21
 Riccardo Favero Conductor
 Favero, Riccardo
     
3 III. Presto 2:23
 Riccardo Favero Conductor
 Favero, Riccardo
     
 

GIOVANNI BATTISTA MASS TEXT

 

Missa quinque vocibus, "Missa lauretana"

 
4 Introitus: Terribilis est locus iste 2:35
 Riccardo Favero Soloist
 Favero, Riccardo
     
 

GIOVANNI BATTISTA LEGRENZI

5 Kyrie 2:35
 Riccardo Favero Soloist
 Favero, Riccardo
     
6 Gloria 4:31
 Jolando Scarpa Soloist
 Favero, Riccardo
     
7 Graduale: Unam petii 2:19
 Jolando Scarpa Soloist
 Favero, Riccardo
     
8 Alleluia: Beati qui habitant 1:13
 Jolando Scarpa Soloist
 Favero, Riccardo
     
9 Credo 7:33
 Jolando Scarpa Soloist
 Favero, Riccardo
     
 

GIOVANNI BATTISTA MASS TEXT

10 Offertorium: Domine deus 1:44
 Jolando Scarpa Soloist
 Favero, Riccardo
     
 

GIOVANNI BATTISTA LEGRENZI

11 Sanctus 3:22
 Riccardo Favero Soloist
 Favero, Riccardo
     
12 Agnus Dei 2:10
 Jolando Scarpa Soloist
 Favero, Riccardo
     
 

GIOVANNI BATTISTA MASS TEXT

13 Communio: Domus mea 1:31
 Jolando Scarpa Soloist
 Favero, Riccardo
     
 

GIOVANNI BATTISTA LEGRENZI

 

18 Trio Sonatas, Op. 2: No. 14. La querini

 
14 I. Largo 2:28
 Riccardo Favero Conductor
 Favero, Riccardo
     
15 II. Allegro - Adagio 1:27
 Riccardo Favero Conductor
 Favero, Riccardo
     
16 III. Presto 0:27
 Riccardo Favero Conductor
 Favero, Riccardo
     
 

Acclamationi divote, Op. 10: No. 2. Congratulamini filiae syon

 
17 Congratulamini filiae syon 1:01
 Riccardo Favero Soloist
     
18 Quae est ista 1:54
 Riccardo Favero Soloist
     
19 Tu Martyrum 2:43
 Riccardo Favero Soloist
     
 

RICCARDO FAVERO

20 

Improvvisazione

1:48
 Riccardo Favero Soloist
     
 

GIOVANNI BATTISTA LEGRENZI

21 

Compiete con le lettanie et antifone della BV a 5, Op. 7: No. 14. Alma Redemptoris Mater

3:07
 Lia Serafini Soloist
 Favero, Riccardo
     
 

RICCARDO FAVERO

22 

Improvvisazione [2]

2:12
 Riccardo Favero Soloist
     
 

GIOVANNI BATTISTA LEGRENZI

 

Harmonia d'affetti devoti, Op. 3: No. 1. Hodie colletantur

 
23 Hodie - 0:42
 Riccardo Favero Soloist
 Favero, Riccardo
     
24 O sponsa 2:06
 Riccardo Favero Soloist
 Favero, Riccardo
     
25 Fideles amantem 1:22
 Riccardo Favero Soloist
 Favero, Riccardo
     
26 Principatus dominantes 1:05
 Lia Serafini Soloist
 Favero, Riccardo


In 1681 Giovanni Legrenzi was given the post of substitute Chapel Master in St. Mark’s and in 1685 he took over the primary role, which he kept until his own death, on 27th May 1690. The religious environments of his career explain his sacred output, written during his last 35 years; an output that - if we do not consider the solo motets Op. 17, published posthumously in 1692 by Legrenzi’s nephew ended in 1689 with the Sacri concerti musicali a due e tre voci; the lost Responsori per la settimana santa, mentioned in the administrative books of St. Mark’s; and the Missa quinque vocibus, also know as Missa lauretana because it is dedicated to the Virgin of Loreto. This Mass has come down to us as a single manuscript source, dated 1689 and kept in the Archive of the Holy House Shrine in Loreto.
Its dimensions in folio are those of the ancient music codes to be placed on a lectern, so that choristers could easily read their parts, which un derlines its liturgical purpose. It is a fine volume, with gold decorations on the binding and richly historiated initials in red, made by Francesco Sarti, a bass and copyist in St. Mark’s Chapel.The manuscript is archaic not only in looks but also in content, disposition of the parts, and notation. It is difficult not to think of this Missa as a devout testament offered by Legrenzi to the Virgin of Loreto.
 

                    **** - Excellent

Marco Bizzanini - Musica magazine - November 2012




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