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DY 0713
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DY 0713
MOZART, W.A.: Piano Concertos Nos. 11-13 (Bacchetti)

MOZART, W.A.: Piano Concertos Nos. 11-13 (Bacchetti)

The Classical Shop
release date: March 2012


Artists:

Padova e del Veneto Orchestra


Goldstein, Carlo


Andrea Bacchetti

Soloist

Carlo Goldstein

Soloist

Record Label
Dynamic

Genre:

Orchestral & Concertos


Classical

Total Time - 76:23
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MOZART, W.A.: Piano Concertos Nos. 11-13 (Bacchetti)

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

     
 

Piano Concerto No. 11 in F major, K. 413

 
1 I. Allegro 9:59
 Andrea Bacchetti Soloist
2 II. Larghetto 7:39
 Andrea Bacchetti Soloist
3 III. Tempo di minuetto 5:53
 Carlo Goldstein Soloist
     
 

Piano Concerto No. 12 in A major, K. 414

 
4 I. Allegro 10:12
 Andrea Bacchetti Soloist
5 II. Andante 9:23
 Andrea Bacchetti Soloist
6 III. Allegretto 6:56
 Andrea Bacchetti Soloist
     
 

Piano Concerto No. 13 in C major, K. 415

 
7 I. Allegro 11:03
 Carlo Goldstein Soloist
8 II. Andante 7:33
 Carlo Goldstein Soloist
9 III. Allegro 7:45
 Carlo Goldstein Soloist
 Goldstein, Carlo


Formed in 1966, the Orchestra di Padova e del Veneto is currently one of the most renowned chamber orchestras in Italy. In its long history, the orchestra has collaborated with the most prestigious international artists, such as Martha Argerich, V.Ashkenazy, R.Buchbinder, Anne-Sophie Mutter, M.Perahia, I.Perlman, Svjatoslav Richter, M. Rostropovich and K. Zimerman.Born in Trieste. Carlo Goldstein is one of the emerging conductors of the Italian music scene.

Mozart composed these 3 concerts between the summer of 1782 and the beginning of 1783 for his own use, in view of the public performances he was going to give in Vienna in the winter of that year, where he would be warmly applauded both as a soloist and a composer. In a famous letter to his father dated 28th December 1782, Mozart describes the creative criteria behind them, declaring that the three concerti were exactly in between being too difficult and too easy; that they were bright, pleasant, natural but not too plain, with passages where only the experts would find pleasure but conceived, in any case, in such a way that even the inexperienced would be happy, even without knowing why.
Indeed, the wonderful balance between difficult and easy, the original language and marked uniqueness of thematic invention, in addition to the leanest essentiality of construction and form, make of these concerti some of the most successful compositions of those early Vienna days.

"...this is altogether a very fine slice of Italian musicianship by an ensemble and soloist who have thoroughly absorbed their Mozart, and who can perform his concertos with natural and truly enjoyable sensibility and sensitivity.
 
Dominy Clements - Musicweb-international.com - 18 May 2012


                 *****

Luca Segalla - Musica - April 2012


"Andrea Bacchetti is a pianist possessed of poise and elegance, attributes mirrored by the Orchestra di Padova e del Veneto and conductor Carlo Goldstein. These are performances that can’t be faulted on terms of taste..."

Harriet Smith - Gramophone magazine - May 2012


                    Performance *****      Recording ****

"...he [Bacchetti] shows himself to be fully able to converse, as it were, with the admirable Orchestra of Padua and the Veneto; and Carlo Goldstein, their conductor ensures they respond to his elegant eloquence with equal warmth and sensitivity ..."

Michael Tanner - BBC Music Magazine - Awards Issue 2012




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