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EN 1333
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EN 1333
Bach: Die Kunst der Fuge (L'art de la fugue)

Bach: Die Kunst der Fuge (L'art de la fugue)

The Classical Shop
release date: June 2014

Recorded in 24 Bit / 96Khz
album available as a Studio File

Artists:

Cédric Pescia

Performer

Record Label
Aeon

Genre:

Baroque




Total Time - 99:49
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Bach: Die Kunst der Fuge (L'art de la fugue)

     
 

JOHANN SEBASTIAN BACH

     


Select Complete Single Disc for
1 

Die Kunst der Fuge, BWV 1080: Contrapunctus 1

4:33
     
2 

Die Kunst der Fuge, BWV 1080: Contrapunctus 2

2:58
     
3 

Die Kunst der Fuge, BWV 1080: Contrapunctus 3

4:54
     
4 

Die Kunst der Fuge, BWV 1080: Contrapunctus 4

3:03
     
5 

Die Kunst der Fuge, BWV 1080: Canon alla Ottava

2:07
     
6 

Die Kunst der Fuge, BWV 1080: Contrapunctus 5

5:50
     
7 

Die Kunst der Fuge, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese

5:46
     
8 

Die Kunst der Fuge, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem

3:40
     
9 

Die Kunst der Fuge, BWV 1080: Canon alla Decima in Contrapunto alla Terza

7:28
     
     
     


Select Complete Single Disc for
1 

Die Kunst der Fuge, BWV 1080: Contrapunctus 8 a 3

6:20
     
2 

Die Kunst der Fuge, BWV 1080: Contrapunctus 9 a 4 alla Duodecima

2:35
     
3 

Die Kunst der Fuge, BWV 1080: Contrapunctus 10 a 4

6:50
     
4 

Die Kunst der Fuge, BWV 1080: Contrapunctus 11 a 4

6:34
     
5 

Die Kunst der Fuge, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta

2:21
     
6 

Die Kunst der Fuge, BWV 1080: Contrapunctus Inversus 12a a 4

4:18
     
7 

Die Kunst der Fuge, BWV 1080: Contrapunctus Inversus 12b a 4

4:06
     
8 

Die Kunst der Fuge, BWV 1080: Contrapunctus Inversus 13a a 3

2:18
     
9 

Die Kunst der Fuge, BWV 1080: Contrapunctus Inversus 13b a 3

2:31
     
10 

Die Kunst der Fuge, BWV 1080: Canon per Augmentationem in Contrario Motu

10:04
     
11 

Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti

11:33
     
 Cédric Pescia Performer


Harpsichordist Gustav Leonhardt said that Bach had written his Art of Fugue for himself, without thought of performing it on any instrument in particular. In the presence of a speculative work, every musician is free to chisel the perfect lines of polyphony as he or she chooses. Up to the final canon, which continues to pose the question of its incompletion. It is the Franco-Swiss pianist Cédric Pescia, with his subtle, understated playing, who will make this sublime score sing. But he will do so on an untempered piano, which is hardly banal! After a first Aeon album devoted to Cage, which created a tremendous stir, Cédric Pescia deploys a low-key art in Bach, a sense of rhythm combined with a rubato of extreme subtlety and an  inventiveness in the phrasings and ornaments, both flowing and sharp, that have no equivalent in the discography. Such relief, such life!

 
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