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GE 1203
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GE 1203
KREIN, G.: Violin Sonata, Op. 11 / Poema / FEINBERG, S.: Violin Sonata No. 2 (Then-Bergh, M. Schafer)

KREIN, G.: Violin Sonata, Op. 11 / Poema / FEINBERG, S.: Violin Sonata No. 2 (Then-Bergh, M. Schafer)

Released Date:
01 Mar 2012


Artists:

Michael Schafer

Soloist

Ilona Then-Bergh

Soloist

Record Label
Genuin

Genre:

Chamber


Classical

Total Time - 60:24
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KREIN, G.: Violin Sonata, Op. 11 / Poema / FEINBERG, S.: Violin Sonata No. 2 (Then-Bergh, M. Schafer)

     
Select Complete Single Disc for
     
 

GRIJORY KREIN

 

Violin Sonata in G major, Op. 11

 
1 I. Andante 6:43
 Michael Schafer Soloist
     
2 

Violin Sonata in G major, Op. 11

13:56
 Michael Schafer Soloist
     
3 

Poema, Op. 25

9:06
 Ilona Then-Bergh Soloist
     
 

2 Pieces on Yakutian Themes

 
4 No. 1. Melody 2:32
 Michael Schafer Soloist
     
5 No. 2. Yakutian Dance 2:02
 Michael Schafer Soloist
     
 

SAMUIL FEINBERG

 

Violin Sonata No. 2, Op. 46

 
6 I. Praeludio 2:49
 Ilona Then-Bergh Soloist
     
7 II. Scherzo 3:58
 Michael Schafer Soloist
     
8 III. Intermezzo 4:44
 Michael Schafer Soloist
     
9 IV. [Allegro moderato] 7:13
 Ilona Then-Bergh Soloist
     
10 V. Epilog 7:21
 Ilona Then-Bergh Soloist


Where are these ethereal sounds coming from? These eruptions of temperament and gushing vivid color? Only a very few of those who listen to Ilona Then-Bergh and Michael Schäfer playing on their new GENUIN album in the un(!)erhört series will know who the composers Samuil Feinberg and Grigorij Krein were. But you can surrender yourself to their music, even if you do not know that the two fabulous Munich musicians are presenting here two Russian grandmasters of the first half of the last century. From Krein’s wildly effervescent, pre-revolutionary violin sonata to his impressionistic Poème and the strident Epilog by Feinberg – every movement, indeed every moment, an exciting discovery!
 
"...Then-Bergh produces from her instrument a strong but dusky and nuanced tone well suited to express the rhapsodic meanderings of Krein’s first movement, with its surges to climactic passages; Schäfer possesses the strength for the music’s thunder in the second movement..."
 
Robert Maxham - Fanfare - November/December 2011



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