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GE 2251
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GE 2251
SCHUBERT, F.: Piano Sonata No. 21 (performance on 3 different pianos) / 3 Klavierstucke (Badura-Skoda)

SCHUBERT, F.: Piano Sonata No. 21 (performance on 3 different pianos) / 3 Klavierstucke (Badura-Skoda)

Released Date:
01 Feb 2013

Originally recorded in 2013

Artists:

Paul Badura-Skoda

Soloist

Venue:

Vienna


The Irnberger-Studio, Salzburg



Record Label
Genuin

Genre:

Instrumental


Classical

Total Time - 143:25
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SCHUBERT, F.: Piano Sonata No. 21 (performance on 3 different pianos) / 3 Klavierstucke (Badura-Skoda)

     
 

FRANZ SCHUBERT

     


Select Complete Single Disc for
 

3 Klavierstucke, D. 946

 
1 No. 1 in E flat minor 8:30
2 No. 2 in E flat major 11:19
3 No. 3 in C major 5:21
     
 

Piano Sonata No. 21 in B flat major, D. 960

 
4 I. Molto moderato 19:40
5 II. Andante sostenuto 8:28
6 III. Scherzo: Allegro vivace con delicatezza 4:18
7 IV. Allegro ma non troppo 8:40
     
     


Select Complete Single Disc for
     
1 I. Molto moderato 19:24
2 II. Andante sostenuto 8:31
3 III. Scherzo: Allegro vivace con delicatezza 4:12
4 IV. Allegro ma non troppo 8:50
5 I. Molto moderato 14:44
6 II. Andante sostenuto 8:38
7 III. Scherzo: Allegro vivace con delicatezza 4:14
8 IV. Allegro ma non troppo 8:36
     
 Paul Badura-Skoda Soloist

Genuin GE 2251

Schubert: Piano Sonata in B flat major, D 960; Drei Klavierstücke, D 946 – Paul Badura-Skoda

Even at a very advanced age, the great pianist Paul Badura-Skoda is always good for a surprise: this new download from Genuin is one of his most unusual recordings and one of the most daring tonal experiments heard in recent years. Schubert’s wonderful final sonata, the B flat major, has been recorded by Badura-Skoda, but not just once: it is heard on three different instruments in interpretations which could not be more distinctive from one another: on an 1826 Graf fortepiano (from when the work was composed), a 1923 Bösendorfer, and a 2004 Steinway grand. It is a fascinating music experience which will be cherished by all lovers of the piano in general, and of Schubert, in particular.



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