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GH 2223
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GH 2223

TOSCANINI - THE COMPLETE CONCERT

The Classical Shop
release date: March 2007

Originally recorded in 2007

Artists:

NBC Symphony Orchestra


Arturo Toscanini


Emanuel Feuermann

cello

Carlton Cooley

viola

Producer:

Jonathan Wearn



Record Label
Guild Historical

Genre:

Orchestral & Concertos


Historic

Total Time - 74:24
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1 Applause 0:19
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GIOACHINO ROSSINI

2 

Cenerentola Overture

7:23
   
 

RICHARD STRAUSS

 

Don Quixote - Fantastic Variations on a Knightly Theme

 
3 Mabiges Zeitmab 5:14
4 Don Quixote, der Ritter von der trauigen Gestalt 0:51
5 Maggiore - Sancho Panza 0:58
6 Variation I Gemachlich - Das Abenteuer mit den Windmuhlen 2:18
7 Variation II Kriegerisch - Der Kampf gegen die Hammelherde - 1:36
  Variation III Gesprache zwischen Ritter und Knappe  
8 Mabiges Zeitmab 3:23
9 Viel langsamer 3:51
10 Variation IV Etwas breiter - Das Abenteuer mit der Prozession 1:58
  von Bubern  
11 Varation V Sehr langsam - Don Quixotes Waffenwache 4:06
  und Herzensergube  
12 Variation VI Schnell - Die verzauberte Dulzinea 1:09
13 Variation VII - Ein wening ruhiger als vorher - Der Ritt 0:48
  durch die Luft  
14 Variation VIII Gemachlich - Die Fahrt auf dem 1:46
  verzauberten Nachen  
15 Variation IX Schnell und sturmisch - Der Kampf gegen 0:57
  die vermeintlichen  
16 Variation X Viel breiter - Zweikampf mit dem Ritter 3:46
  vom blanken Monde; Heimkehr des geschlagenen  
  Don Quixotes  
17 Finale Sehr ruhig - Don Quixotes Tod 5:35
   
 

LUDWIG VAN BEETHOVEN

 

Symphony No.5 in C minor

 
18 Allegro con brio 6:46
19 Andante con moto 8:45
20 Allegro 4:35
21 Allegro 8:20
   
 Carlton Cooley viola
 Emanuel Feuermann cello
 Arturo Toscanini
   
No Notes Found.

"From Guild comes the concert of October 22, 1938 with Toscanini and the NBC Symphony which includes, as its thrilling and often witty central attraction, Strauss’s Don Quixote with Emannuel Feuermann as cello soloist (tonally gorgeous if not always totally in tune). That recording has enjoyed previous incarnations but, as far as I’m aware, a memorable Rossini Cenerentola Overture (wonderful closing crescendo) hasn’t, and neither has an electrifying Beethoven Fifth which at times drives so hard and fast that the players can barely keep up. But for most of the time they do, and the performance has a fresh, open feel it, quite unlike – and not a whit inferior to – various Toscanini-led alternatives. The hard-hitting sound sources thrive on transfers that are free of generalised noise reduction."

Gramophone - December 2002



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