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GH 2400
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GH 2400

Max Reger - Orchestral Works

The Classical Shop
release date: June 2013

Originally recorded in 1943

Artists:

Concertgebouw Orkest Amsterdam


Berliner Philarmoniker


Staatskapelle Belin


Groot Symfonieorkest van Zender Brussel


Stadtisches Orchester Berlin


Eugen Jochum


Robert Heger


Anni Frind


Fritz Lehmann


Eduard van Beinum


Elisabeth Schumann



Record Label
Guild Historical

Genre:

Orchestral & Concertos




Total Time - 148:21
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MAX REGER

   
1 

Eine Lustpielouvertüre, Op.120

7:08
 Fritz Lehmann
  10 May 1941  
 

Serenade in G, Op.95

 
2 I Allegro molto 12:59
3 II Vivace a Burlesca 3:34
4 III Andante semplice 10:24
5 IV Allegro con spirito 13:24
 Eugen Jochum
  8 July 1943  
 

Eine Ballett-Suite, Op.130

 
6 I Entrée. Tempo di marcia 2:56
7 II Colombine. Adagietto 3:52
8 III Harlequin. Vivace 2:07
9 IV Pierrot et Pierrette. Larghetto 3:20
10 V Valse d amour. Sostenuto 2:54
11 VI Finale. Presto 2:24
 Eduard van Beinum
  17-21 May 1943  
12 

Waldeinsamkeit, Op.76 No.3

1:57
13 

Des Kindes Gebet, Op.76 Nr.22

2:29
 Anni Frind
  Orchestra  
  Bruno Seidler-Winkler  
  11 March 1936  
14 

Mariä Wiegenlied, Op.76 Nr.52

2:06
15 

Zum Schlafen, Op.76 Nr.59

2:07
 Elisabeth Schumann
  Orchestra  
  22 & 2 November 1937  
 

Eine romantische Suite, Op.125

 
16 I Notturno 9:57
17 II Scherzo 7:25
18 III Finale 10:45
 Fritz Lehmann
  7-15 April 1942  
 

Variationen und Fuge über ein Thema von Mozart, Op.132

 
19 Thema. Andante grazioso 2:37
20 Variation 1. L'istesso tempo 2:27
21 Variation 2. Poco agitato 2:12
22 Variation 3. Con moto 1:33
23 Variation 4. Vivace 0:40
24 Variation 5. Quasi presto 1:28
25 Variation 6. Sostenuto (quasi adagietto) 2:14
26 Variation 7. Andante grazioso 2:48
27 Variation 8. Molto sostenuto 7:51
28 Fugue. Allegretto grazioso 8:42
 Eduard van Beinum
  17-21 May 1943  
29 

Eine vaterländische Ouvertüre, Op.140

14:01
 Robert Heger
  10 November 1942  
   


This very important double-album set is a major addition to the Max Reger discography, containing as it does exceptionally rare war-time recordings conducted by several of the composer’s most illustrious musical disciples. During World War II the Nazis attempted, unsuccessfully, to use Reger’s music for propaganda purposes, but its artistic worth and technical difficulties both frustrated the National Socialists’ aims. It is only in quite recent decades that Reger’s music has come to be appreciated for its inherent beauty and expressive purity, and these magnificent performances, which have been remastered to high standards, enable us to appreciate the quality of these unique orchestral scores in performances of remarkable musical fidelity.

 "...  eminently worthwhile..."

Robert Matthew-Walker  - International Record Review - July/August 2013




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