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GM 7183
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GM 7183

Marcel Dupré: Complete Organ Works, Vol. 8

The Classical Shop
release date: October 2006

Originally recorded in 2006

Artists:

Jeremy Filsell

Organ

Venue:

St Boniface Episcopal Church, Sarasota, Florida, USA



Producer:

Adrian Peacock



Engineer:

Ken Blair



Record Label
Guild

Genre:

Organ




Total Time - 59:52
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MARCEL DUPRE

Select Complete Single Disc for
 

Psaume XVIII (Poème Symphonique) Op. 47

 
1 I No. 1 9:24
2 II No. 2 5:47
3 III No. 3 4:56
   
4 

Vision Op. 44 (Poème Symphonique)

17:52
   
 

Evocation (Poème Symphonique) Op. 37

 
5 I Moderato 7:23
6 II Adagio con tenerazza 7:38
7 III Allegro deciso 6:52
No Notes Found.

Performance *****     Sound *****   Verdict: Much outstanding music, brilliant performances; a must
"We can by this stage ( Volume 8 ) in his Dupré pilgrimage take Jeremy Filsell’s tremendous virtuosity for granted. Try his magnificent marshalling of resources in the complex multi-layerings of the double-fugue finale of Psaume XVIII for yet another example... What I hope is becoming gradually more evident is the sheer quality of Dupré’s music..."

Terry Blain - Classic CD – September 2000
 


"This is Volume 8, and it is devoted to seldom- heard works. Probably only Evocation will be familiar to organ buffs. These are three heavy- weight pieces; other instalments combine -pleasant short works with more substantial compositions...
These are all heavy works, with few memorable melodies. Fiendishly difficult, they challenge the listener far more than, say, Variations on a Noel or the Preludes & Fugues, Op. 7. Filsell again demonstrates his absolute mastery of the technical problems. With a sensitive ear in addition, and coupled with an instrument that has proved its versatility through eight consecutive instalments, Filsell is in the home stretch of this significant enterprise. I have no doubt this series will be the backbone in any organ maven’s home collection."

American Record Guide - September/October


"Filsell continues his impressive Dupré series with substantial 1940s compositions; there well played and the recorded sound is good."
Malcolm Riley - Gramophone - February 2001




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