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GM 7276
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GM 7276
Come, Holy Spirit

Music for the Ascension, Pentecost and Trinity

Released Date:
01 Jan 2007

Originally recorded in 2007
Artists:

Owen Rees


George Parsons

organ

George Parsons

organ solo

The Choir of The Queens College, Oxford



Venue:

The Queens College Chapel, Oxford



Producer:

David Trendell



Engineer:

Michael Ponder



Record Label
Guild

Genre:

Choir


Organ

Total Time - 56:09
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Come, Holy Spirit

  ASCENSION  
Select Complete Single Disc for
 

GERALD FINZI

(1901-1956)
1 

God is gone up

 4:28
 

TOMAS LUIS DE VICTORIA

(1548-1611)
2 

Ascendens Christus

 4:43
 

WILLIAM BYRD

(1539/40-1623)
3 

Alleluia. Ascendit Deus

 1:05
 

DUARTE LOBO

(c. 1565-1646)
4 

Regina caeli laetare

 1:10
   
  PENTECOST  
 

JOHANN SEBASTIAN BACH

(1685-1750)
5 

Fantasia super Komm, Heiliger Geist, BWV 651

 5:20
 George Parsons organ solo
 

GIOVANNI PIERLUIGI DA PALESTRINA

(1525/6-1594) (attrib.)
6 

Veni sancte spiritus

 2:49
 

THOMAS TALLIS

(c. 1505-1585)
7 

If ye love me

 1:54
 

JONATHAN HARVEY

(b. 1939)
8 

Come, Holy Ghost

 6:12
 

JOHANN SEBASTIAN BACH

9 

Komm, Gott, Schöpfer, Heilier Geist, BWV 667

 2:11
 George Parsons organ solo
 

GIOVANNI PIERLUIGI DA PALESTRINA

10 

Spiritus sanctus

 3:06
 

THOMAS TALLIS

11 

O Lord, give thy Holy Spirit

 1:57
12 

Loquebantur variis linguis

 3:34
 

JOHANN SEBASTIAN BACH

13 

Kyrie, Gott Heiliger Geist, BWV 671

 4:18
 George Parsons organ solo
   
  TRINITY  
 

ORLANDO DE LASSUS

(1530/32-1594)
14 

Tibi laus, tibi gloria

 3:11
 

JOHN TAVENER

(b. 1944)
15 

Prayer to the Holy Trinity

 3:51
 

FRANCISCO GUERRERO

(1528-1599)
16 

Duo seraphim

 3:02
 

KENNETH LEIGHTON

(1929-1988)
17 

Let all the world

 3:18
No Notes Found.

"...Highly recommended to all choral music fans."

David Vernier - Classics Today June 2004


"In a highly enjoyable programme, the choir of The Queen’s College, Oxford explores music of the Renaissance ... The performances are carefully prepared with attention to detail, streng rhythmic vitality, and fine shaping of phrases and musical climaxes."

Church Music Quarterly - March 2004
 


"...The singing of the 30-strong choir of men and women is excellent; full-blooded and we1l-blended and, ...it is never short of energy... The performances are genera1ly straightforward with a good sense of style... The recording is good."

Organists’ Review  - February 2005




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