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GM 7362
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GM 7362

Marek - Chamber Works & Piano Music

The Classical Shop
release date: June 2011


Artists:

Marie-Catherine Girod


Richard Jenkinson

cello

Gabriella Dall'ollio

harp

Catherine White

harp

Patrizia Maier

harp

Hugh Webb

harp

Jitka Cechova

piano

Marie-Catherine Girod

piano

Ludmila Janowska

piano

Ingolf Turban

violin

Venue:

St George's Church, Bristol

1998

Producer:

Chris Craker



Engineer:

Chris Craker



Record Label
Guild

Genre:

Chamber




Total Time - 95:51
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CZESLAW MAREK

 

Sonata for violin and piano, Op.13

 
1 I Allegro moderato 9:39
2 II Adagio ma non troppo 6:48
3 III Allegro 7:21
   
 

Suite de quatre morceaux for violin and piano, Op.18

 
4 I Romance 5:18
5 II Canzone solennelle 7:25
6 III Gavotte en style ancien 3:29
7 IV Allegro scherzando 5:29
   
8 

Berceuse for violin and piano, Op.26

3:01
   
 Ingolf Turban violin
 Jitka Cechova piano
 

Deux pièces romantiques pour harpe, Op.31

 
9 No.1 Moderato ma non troppo 3:51
10 No.2 Allegro moderato 5:03
   
11 

Ondine pour deux harpes, Op.32

6:54
12 

Rondeau pour quatre harpes, Op.33

3:28
   
 Gabriella Dall'ollio harp
 Catherine White harp
 Patrizia Maier harp
 Hugh Webb harp
 

Petite Suite en clef de sol pour piano, Op.36a

 
13 No.1 Invention 1:14
14 No.2 Marche 1:14
15 No.3 Chanson 1:30
16 No.4 Ronde 0:55
17 No.5 Danse 1:10
18 No.6 Toccata 2:00
 Marie-Catherine Girod piano
 

Canzone solennelle and Gavotte en style ancien pour violoncelle et piano, Op.18a

 
19 No.1 Andante fastoso 5:41
20 No.2 Gavotta all'antica 2:58
 Richard Jenkinson cello
 Marie-Catherine Girod
21 

Sérénade italienne for two pianos, Op.16a

4:32
22 

Annemarie for two pianos, Op.38a

6:51
 Marie-Catherine Girod
 Ludmila Janowska piano
   


A unique mixture of influences characterizes the style of Polish composer Czeslaw Marek (1891-1985), who from 1915 lived in Switzerland. When his music was first revived in the 1990s, it was hailed by the press as being an important voice of music in the first half of the 20th century. The first instalment of a complete edition of his music, originally released in 1996-2000 in close co-operation with the Zentralbibliothek Zürich where his estate is housed, received an ECHO Classical award, and the further instalments strengthened the picture of Marek as a most influential individual and surprising composer, strongly rooted in tradition, especially his Polish ancestry, but not being afraid of stretching tonality as far as possible (but without, as one contemporary put it, letting it sound ugly).

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