Background Image Background Image Background Image
background image

GR 8985
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
Gramola Logo
GR 8985
BEETHOVEN, L. van: Symphony No. 2 (Van Beethoven Code) (Vienna Symphony, de Roos)

BEETHOVEN, L. van: Symphony No. 2 (Van Beethoven Code) (Vienna Symphony, de Roos)

The Classical Shop
release date: November 2013

Originally recorded in 2013


Vienna Symphony Orchestra


Harke de Roos


Pietro Alessandro Guglielmi Chamber Orchestra



Casino Baumgarten, Vienna


Record Label


Orchestral & Concertos


Total Time - 46:34
background image
mp3question marklosslessoff  
*when you purchase a lossless format, we include the MP3 free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless

BEETHOVEN, L. van: Symphony No. 2 (Van Beethoven Code) (Vienna Symphony, de Roos)

Select Complete Single Disc for



Symphony No. 2 in D Major, Op. 36

1 I. Adagio molto - Allegro molto 16:20
2 II. Larghetto 15:18
3 III. Scherzo 05:44
4 IV. Allegro molto 09:12
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
 Harke de Roos Conductor

There have been speculations for long enough about tempo indications and metronome figures as regards Beethoven; after intensively studying sources, analysing scores and structural tempi, the Dutchman Harke de Roos casts a new light on the tempo relations. Accordingly, Beethoven’s deliberate codification of the figures after 1817 due to his well-known aversion towards the metronome that was just being developed at the time should be taken with a pinch of salt. After all, the maestro wrote to its inventor: ’It is a silly plaything, you have to sense the tempos’. Hence, in accordance with de Roos, tempi are used in this performance of the 2nd Symphony in D major op. 36 in its ’original condition’ by the Vienna Symphony Orchestra that extend from a third to half the time of usual performance practice today. Harke de Roos, grew up in Zeeland in The Netherlands, studied piano at the ’Muzieklyceum’ in Amsterdam and was awarded the soloist’s diploma in 1968. He continued his studies at the same institution with a three-year course in concert conducting, while he embarked on the subject of opera as répétiteur at the Dutch Opera and with his own productions at Amsterdam University. From 1971 to 1982, Harke de Roos went through stages as a répétiteur and assistant conductor at the opera houses in Graz, Cologne and West Berlin. At the German Opera, he has accompanied singers such as Fischer-Dieskau and Pavarotti and assisted conductors like Karl Böhm, Charles Mackerras and Daniel Barenboim. From 1982 to 1995, de Roos worked as a conductor, initially as Kapellmeister in Detmold and recently as General Director of Music in Eisenach. In his research on classical tempi in music, in 1986 he discovered the deliberateness of Beethoven’s mysteriousness with profound consequences for performance practice and our knowledge about the period of Viennese Classicism. Since then, de Roos’ work as an author has been one of his main occupations. The Vienna Symphony Orchestra Not much needs to be said about the Vienna Symphony Orchestra. Founded in 1900, the leading orchestra in the city early became an indispensable component in Vienna’s cultural life, also with premieres of works by Bruckner, Schoenberg or Ravel. Major principal conductors such as Kabasta, Swarovsky or Krips, von Karajan, Sawallisch and Prêtre have formed the orchestra and attached special value to its traditional Viennese sound. Since 2005, the Genoese Fabio Luisi has been the principal conductor of the Vienna Symphony Orchestra.

No Internal Reviews Found.

No User Reviews Found.