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HAYES, W.: Cantatas / Orpheus and Euridice (Rooley)

HAYES, W.: Cantatas / Orpheus and Euridice (Rooley)

The Classical Shop
release date: February 2013

Recorded in 24 Bit / 44.1Khz
album available as a Studio File
Originally recorded in 2013

Artists:

Rooley, Anthony


Evelyn Tubb

Soloist

Ulrike Hofbauer

Soloist

David Munderloh

Soloist

Daniel Cabena

Soloist

Mirjam Berli

Soloist

Paul Bentley

Soloist

Chor de Schola Cantorum Basiliensis


Schola Cantorum Basiliensis Hayes Players



Venue:

Landgasthof Riehen, Switzerland



Record Label
Glossa

Genre:

Choir


Classical

Total Time - 88:42
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HAYES, W.: Cantatas / Orpheus and Euridice (Rooley)

     
     
 

WILLIAM HAYES



Select Complete Single Disc for
 

Cantata I: A Winter Scene at Ross in Herefordshire

 
1 Aria: At Ross how alter'd is the scene 3:36
 Paul Bentley Soloist
     
2 Recitative: But oh, when age, life's winter comes 0:29
 Paul Bentley Soloist
     
3 Aria: Vivace ma non presto: Virtue, the charmer sweet replies 2:51
 Paul Bentley Soloist
     
 

MATTHEW PILKINGTON

 

Cantata II: Why, Lysidas, shou'd man be vain

 
4 Recitative: Why, Lysidas, shou'd man be vain 0:28
 Mirjam Berli Soloist
     
 

WILLIAM HAYES

5 Aria: Allegro moderato - Can splendid robes or beds of down 5:39
 Mirjam Berli Soloist
     
 

MATTHEW PILKINGTON

6 Recitative: Go search the tombs where monarchs rest 0:34
 Mirjam Berli Soloist
     
7 Aria: Andante: So glides the meteor 3:55
 Mirjam Berli Soloist
     
 

WILLIAM HAYES

 

Cantata III: While I listen to thy voice, Chloris

 
8 Aria: While I listen to thy voice, Chloris 5:46
 David Munderloh Soloist
     
 

EDMUND WALLER

9 Recitative: Peace, Chloris, peace 0:20
 David Munderloh Soloist
     
10 Aria: Larghetto: for all we know 2:43
 David Munderloh Soloist
     
 

WILLIAM HAYES

 

Cantata IV: Chloe's Dream

 
11 Recitative: Love into Chloe's chamber came 1:01
 Evelyn Tubb Soloist
     
12 Aria: Amoroso: And now Amyntor young and gay 2:18
 Evelyn Tubb Soloist
     
13 Recitative: The transport o'er 0:39
 Evelyn Tubb Soloist
     
14 Aria: Allegro: But waking is it thus 2:04
 Evelyn Tubb Soloist
     
 

THOMAS LISLE

 

Cantata V: To Venus a Rant

 
15 Recitative: O goddess most rever'd above 1:10
 David Munderloh Soloist
     
 

WILLIAM HAYES

16 Aria: Allegro assai: Give me numbers strong and sweet 5:33
 David Munderloh Soloist
     
17 Recitative: Trophies to chastity 0:43
 David Munderloh Soloist
     
 

THOMAS LISLE

18 Aria: Andante: Tell not me the joys that wait 2:03
 David Munderloh Soloist
     
 

WILLIAM HAYES

 

Cantata VI: An Ode to Echo

 
19 Aria: Larghetto: Daughter sweet of voice and air 5:52
 Evelyn Tubb Soloist
     
20 Recitative: Listen Nymph divine and learn 0:52
 Evelyn Tubb Soloist
     
21 Aria: Allegro assai: See each eye, each ravish'd ear 2:40
 Evelyn Tubb Soloist
     
22 Recitative: Echo should they fail to move 0:38
 Evelyn Tubb Soloist
     
23 Aria: Vivace: Learn her ease and elegance 6:52
 Evelyn Tubb Soloist
     
     


Select Complete Single Disc for
     
     
 

Orpheus and Euridice

 
1 Overture 3:34
 Daniel Cabena Soloist
 Rooley, Anthony
     
2 Aria: Tempo do minuetto 2:09
 Ulrike Hofbauer Soloist
 Rooley, Anthony
     
3 Recitative: When the fair consort in th'Elysian choir (Alto) 0:54
 Ulrike Hofbauer Soloist
 Rooley, Anthony
     
4 Aria: Come, come my charmer (Alto) 6:49
 Daniel Cabena Soloist
 Rooley, Anthony
     
5 Recitative: The poet ceas'd (Tenor) 1:02
 Daniel Cabena Soloist
 Rooley, Anthony
     
6 Aria: Thy vain pursuit fond youth (Soprano) 7:36
 Paul Bentley Soloist
 Rooley, Anthony
     
7 Duet: With streaming eyes (Soprano, Alto) 4:41
 Ulrike Hofbauer Soloist
 Rooley, Anthony
     
8 With streamin eyes (Chorus) 3:11
 Ulrike Hofbauer Soloist
 Rooley, Anthony


Beyond the dominating presence of Georg Friedrich Handel in English music from the 18th century there are to be found many enticing surprises, such as those contributed by William Hayes (1708-1777). His cycle of cantatas from 1748 provides original and humorous musical stories, graced by instrumentations unusual for the time and flecked with touching musical episodes. Hayes’s choice of keys and orchestration develop from one work to the next, whilst the subject matter and texts employed in the works reflect, in a highly particular way, the individual milieu of Hayes in his teaching capacity at the University of Oxford.
 
One strikingly mature composition comes in the shape of Orpheus and Euridice: an Ode (1735). It is hard to imagine that this was composed for the occasion of Hayes receiving his BMus at Oxford. Entirely set within the scene of Euridice’s unsuccessful departure from Hades, Hayes lays out for our listening an exciting psychological study of the two lovers as their emotional states veer between desire and devastation...
 
Anthony Rooley and his carefully-chosen group of singers and instrumentalists linked to the Schola Cantorum Basiliensis here give us, following on from their dazzling 2010 reading of The Passions, a fresh new incursion into the previously little-known compositional world of William Hayes, in this way contributing to Hayes’s deserved placement once again as one of the leading contemporaries of Handel.
 
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