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HR 016

Pavel Zemek Novak - 24 Preludes & Fugues

The Classical Shop
release date: May 2011

Originally recorded in 2011

Artists:

William Howard

piano

Venue:

Music Room, Champs Hill, West Sussex

6th,7th,12th & 13th Aug 2009

Producer:

David Lefeber



Engineer:

David Lefeber



Record Label
Champs Hill

Genre:

Piano




Total Time - 76:17
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  Twenty Four Preludes and Fugues (1989-2006)  
   
 

PAVEL NOVAK

 

Book One (Old Testament)

 
1 Prelude One: The Creation of Heaven and Earth 2:17
2 Fugue One: The Creation of Man 1:52
3 Prelude Two: The Age of the Patriarchs 1:37
4 Fugue Two: Noah 1:41
5 Prelude Three: The Flood 1:22
6 Fugue Three: Noah's Ark 2:14
7 Prelude Four: The Departure of Abraham 0:57
8 Fugue Four: Abraham and Isaac 0:47
9 Prelude Five: The Burning Bush 3:02
10 Fugue Five: Moses 1:04
11 Prelude Six: Saul and David 1:47
12 Fugue Six: King David 2:59
   
 

Book Two (Old Testament)

 
13 Prelude Seven: Job 0:43
14 Fugue Seven: The Book of Proverbs 1:09
15 Prelude Eight: The Little Book of Psalms (1) 2:41
16 Fugue Eight: The Little Book of Psalms (2) 3:59
17 Prelude Nine: Ecclesiasticus 2:37
18 Fugue Nine: The Song of Songs 1:01
19 Prelude Ten: Elijah 4:04
20 Fugue Ten: Elisha 2:39
21 Prelude Eleven: The Manetations of Jeremiah 1:21
22 Fugue Eleven: Jeremiah 1:03
23 Prelude Twelve: Isaiah (1) 1:57
24 Fugue Twelve: Isaiah (2) 2:36
   
 

Book Three (New Testament)

 
  'The Word became flesh and dwelt among us'  
  (Gospel of St. John 1:14)  
25 Prelude Thirteen 1:46
26 Fugue Thirteen 1:19
27 Prelude Fourteen 2:14
28 Fugue Fourteen 1:11
29 Prelude Fifteen 1:15
30 Fugue Fifteen 1:33
31 Prelude Sixteen 1:54
32 Fugue Sixteen 0:30
33 Prelude Seventeen 0:56
34 Fugue Seventeen 2:07
35 Prelude Eighteen: (Aria) The Seven Last Words of Jesus Christ on the Cross 2:19
36 Fugue Eighteen 0:42
   
 

Book Four (New Testament)

 
  Landscapes of the Lamb  
37 Fugue Nineteen 0:52
38 Postlude Nineteen 0:40
39 Fugue Twenty 0:50
40 Postlude Twenty 0:44
41 Fugue Twenty One 0:50
42 Postlude Twenty One 0:40
43 Fugue Twenty Two 0:55
44 Postlude Twenty Two (Consonance) 0:31
45 Fugue Twenty Three 0:27
46 Postlude Twenty Three (Consonance) 0:28
47 Parallel Fugue and Postlude Twenty Four (Unison) 4:05
   


Novák music is intensely spiritual, and is truly modern in that it adds something completely new to what has existed before. At the same time it is not overtly radical; it does not seek to destroy the existing order and replace it with something new. Novák retains strong links with tonality, but his tonality, with its frequent use of triads, sounds uniquely his.

The 24 Preludes and Fugues were written for the pianist William Howard over a 17-year period, and consequently reflect the evolution of Novák’s musical language during this time. many of them were premiered at the Dartington International Summer School.

This 75-minute work is divided into four ’books’, the first two based on the Old Testament and the second two on the New Testament. Whereas the pieced in the first two books are distinct and indiviual, the cycle strives increasingly towards a unity of form as it develops, while at the same time revealing Novák’s growing interest in unison and a consonance in his compostional language.


Pavel Zemek Novák was born in Brno in 1957, and is one of the most individual and distinctive Czech composers of his generation. His large body of symphonic, choral, chamber and instrumental works reflects both his devout religious faith and his interest in Morovian folk traditions.

William Howard, performing in this world premiere recording, is established as one of Britain’s leading pianists, enjoying a career that has taken him over 40 different countries, and has seen him perform on over 30 CDs. He has a very strong interest in Czech piano music, recognised by a medal awarded by the Czech Minister of Culture in 1986.
 

"...The Preludes and Fugues were written for the underrated but excellent British pianist William Howard, also known as one quarter and founder of the Schubert Ensemble, and who gave the premier performance in 2007. Despite its unassuming superstructure, the technical base of Novak’s music is extrememly demanding, both in terms of sheer stamina and the degree of technical prowess required. Howard is absolutely equal to it, completing his quasi-pilgrimage adroitly and poetically. Sound quality is very good ... This may or may not be one of the finest contemporary works for piano - its probably to early to sy. But for sheer scale of invention at least it must go on the shortlist."

MusicWeb-International.com - November 2011


                      Performance *****          Recording *****

"...Superb performance ans stunning sound: a real discovery"

Calum MacDonald - BBC Music Magazine - October 2011




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