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IN 0244
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IN 0244
MORAN, R.: Trinity Requiem / Seven Sounds Unseen / Notturno in Weiss / Requiem for a Requiem (Banks, Ridgell, Westenburg)

MORAN, R.: Trinity Requiem / Seven Sounds Unseen / Notturno in Weiss / Requiem for a Requiem (Banks, Ridgell, Westenburg)

The Classical Shop
release date: November 2011


Artists:

Banks, Eric


Ridgell, Robert


Westenburg, Richard


Grassauer Blaserensemble

Choir

Eric Banks

Conductor

Richard Westenburg

Conductor

Robert Ridgell

Conductor

Musica Sacra


Trinity Youth Chorus


Esoterics, The


Grassauer BlaserensembleIowa Percussion



Record Label
Innova

Genre:

Choir


Classical

Total Time - 67:41
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MORAN, R.: Trinity Requiem / Seven Sounds Unseen / Notturno in Weiss / Requiem for a Requiem (Banks, Ridgell, Westenburg)

     
Select Complete Single Disc for
     
 

BIBLE - OLD TESTAMENT

 

Trinity Requiem

 
1 Introit 4:33
 Robert Ridgell Conductor
 Ridgell, Robert
     
2 Kyrie 4:56
 Robert Ridgell Conductor
 Ridgell, Robert
     
3 Psalm 23, "The Lord is my shepherd" 3:42
 Robert Ridgell Conductor
 Ridgell, Robert
     
4 Offertory 2:58
 Robert Ridgell Conductor
 Ridgell, Robert
     
5 Sanctus 3:33
 Robert Ridgell Conductor
 Ridgell, Robert
     
6 Agnus Dei 2:56
 Robert Ridgell Conductor
 Ridgell, Robert
     
7 Pie Jesu 2:28
 Robert Ridgell Conductor
 Ridgell, Robert
     
8 In paradisum 4:44
 Robert Ridgell Conductor
 Ridgell, Robert
     
 

ROBERT MORAN

 

Seven Sounds Unseen

 
9 No. 1. — 3:16
 Richard Westenburg Conductor
 Westenburg, Richard
     
10 No. 2. — 14:06
 Richard Westenburg Conductor
 Westenburg, Richard
     
11 No. 3. — 5:14
 Richard Westenburg Conductor
 Westenburg, Richard
     
 

CHRISTIAN MORGENSTERN

12 

Notturno in Weiss

8:12
 Eric Banks Conductor
 Banks, Eric
     
 

ROBERT MORAN

13 

Requiem for a Requiem (Philip Blackburn remix)

7:03
 Grassauer Blaserensemble Choir
No Notes Found.

"...Trinity Requiem, written for the Trinity Youth Chorus (aided by three adult singers) and accompanied by cellos, harp and organ, keeps to a volcabulary as simple as cone could conceive of without trivialising the event, speaking with quiet power to the nature of children affected by any tragedy or war zone..."

Ken Smith - Gramophone magazine - December 2011




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