"...These are marvelous performances, and each organist acquits himself with honors.  Davidsson never gets bogged down in the weird chromaticism of Rossi’s "Toccata Settima," while Porter’s treatment of the large-scaled "Ricercare con la fuga in piu modi" never meanders. In some ways, Higgs gets to have the most fun by rolling out the organ’s arsenal of special effects, using a tooting reed stop in Zipoli’s Pastorale and cranking up the bells and drums in Gherardeschi’s Sonata per organo a guisa di banda militare che suona una marcia (Sonata for organ in imiation of a miliary band playing a march)."

Craig Zeichner - Early Music magazine