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LS 0127
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LS 0127

Mozart: Requiem

The Classical Shop
release date: April 2008

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2008

Artists:

London Symphony Orchestra


Sir Colin Davis


Darren Jeffery

bass

Anna Stephany

mezzo-soprano

Marie Arnet

soprano

Andrew Kennedy

tenor

London Symphony Chorus



Venue:

Barbican Centre, London



Producer:

James Mallinson



Engineer:

Jonathan Stokes


Neil Hutchinson



Record Label
LSO

Genre:

Choir


Orchestral & Concertos

Total Time - 50:27
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WOLFGANG AMADEUS MOZART

(1756-1791)
   
 

Requiem, K6262 (1791)

50:35  
  Introitus and Kyrie  
1 No. 1 Requiem and Kyrie 7:12
  chorus, soprano  
  Sequence  
2 No. 2 Dies irae 1:44
  chorus  
3 No. 3 Tuba mirum 3:38
  soprano, alto, tenor, bass  
4 No. 4 Rex tremendae 2:13
  chorus  
5 No. 5 Recordare 6:03
  soprano, alto, tenor, bass  
6 No. 6 Confutatis maledictis 2:44
  chorus  
7 No. 7 Lacrimosa 2:59
  chorus  
  Offertorium  
8 No. 8 Domine Jesu 4:16
  chorus, soprano, alto, tenor, bass  
9 No. 9 Hostias 4:36
  chorus  
  Sanctus  
10 No. 10 Sanctus 1:47
  chorus  
  Benedictus  
11 No. 11 Benedictus 4:29
  chorus, soprano, alto, tenor, bass  
  Agnus Dei and Communio  
12 No. 12 Agnus Dei 8:46
  chorus, soprano  
 Marie Arnet soprano
 Anna Stephany mezzo-soprano
 Andrew Kennedy tenor
 Darren Jeffery bass
 Sir Colin Davis
  30 September and 3 October 2007 (live recording)  


To this day mystery surrounds the circumstances under which Mozart was commissioned by a stranger to write a Requiem Mass. He died before its completion, only adding to the air of foreboding that the work so effectively evokes and reminding us of the fragility of our mortality.

"this performance beneifts from marvellous sound and shows Davis
secure in his tempo choices and bringing that combination of solemnity, grandeur and drama ... Soprano Marie Arnet’s pristine tone and flawless intonation make her near ideal"
             Sound **** Performance *****


BBC Music Magazine

"a deeply felt account of a masterpiece from a conductor who has lived with this music for most of his professional life"

Sunday Times

The Best of the Year
 

Opera News

"this is a grandly scaled, nobly contoured reading, by turns monumental and ferociously dramatic. With biting choral attack, searing, spitting strings and scything trumpets, the Dies Irae has a terrifying intensity I have rarely heard equalled. The Rex tremendae, too, is overwhelming in its desparate fervour ... superbly played and vividly recorded"

Gramophone - June 2008



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