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MA 0549
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MA 0549

Prokofiev - Piano Concerto No.3/Symphony No.5

The Classical Shop
release date: March 2014

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2012


The Orchestra of the Mariinsky Theatre

Valery Gergiev

Denis Matsuev




April 2012

St Petersburg, Russia

June & October 2012


Vladimir Ryabenko


Vladimir Ryabenko

Record Label


Orchestral & Concertos

Total Time - 70:38
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Piano Concerto No.3 in C major, Op.26

1 I Andante - Allegro 9:04
2 II Tema con variazioni 8:49
3 III Allegro, ma non troppo 8:58
 Valery Gergiev
 Denis Matsuev piano

Symphony No.5 in B flat major, Op.100

4 I Andante 12:56
5 II Allegro marcato 8:33
6 III Adagio 13:07
7 IV Allegro giocoso 9:11
 Valery Gergiev
  TT 70:38      
  Tracks 1-3:  
  Tracks 4-7:  
  during the Moscow Easter Festival  

The Mariinsky label presents the recording of two of Prokofiev’s most popular works, Piano Concerto No 3 and Symphony No 5. Denis Matsuev features as soloist, in this his fourth recording on the Mariinsky label. Since winning the 11th International Tchaikovsky Competition in 1998 Matsuev has established a reputation as one of Russia’s leading pianists, and is renowned for his interpretations of Russian music. The recordings of Rachmaninov’s Piano Concerto No 3 and Paganini Variations, Shostakovich Piano Concertos Nos 1 & 2 and Tchaikovsky’s first two piano concertos, have all received widespread acclaim.
Written at the height of World War II in 1944, Prokofiev’s Symphony No 5 was intended as “a hymn to free and happy Man, to his mighty powers, his pure and noble spirit.” The symphony’s character was inevitably determined by the time and circumstances of its composition. It would be a patriotic work, big, heroic and ultimately optimistic. It would be a symphony of mass appeal. ‘I thought of it as a work glorifying the human spirit,’ wrote Prokofiev.
Prokofiev wrote five piano concertos, but it is his third that has gained the most popularity and critical acclaim. It still remains one of Prokofiev’s most popular pieces and the qualities of clarity and vitality that appealed to the work’s original audiences are apparent almost immediately the work begins.
We are grateful to Yoko Ceschina for her generous support. 

 "... This release is recommended ..."

Daniel Morrison - Fanfare - January/February 2015

                        Repertoire **** (Very Good)            Sound ***½  (Good/Very Good)


Thomas Schulz - Fono Forum (Germany) magazine - May 2014

                          *****    Exceptional

Giuseppe Rossi - Musica magazine (Italy) - April 2014

                       **** (Excellent Album)          *** (Good Sound)

Bertrand Dermoncourt - Classica magazine (France) - April 2014

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