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MC 6807
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MC 6807
Chamber Music (Baroque Italian) - MERULO, C. / GABRIELI, A. / CANALI, F. / MORTARO, A. / CIMA, G.P. (Musica Fiorita) (Ensemble Galliarda)

Chamber Music (Baroque Italian) - MERULO, C. / GABRIELI, A. / CANALI, F. / MORTARO, A. / CIMA, G.P. (Musica Fiorita) (Ensemble Galliarda)

The Classical Shop
release date: March 2012


Artists:

Ensemble Galliarda

Ensemble

Ensemble Galliarda



Record Label
Musicaphon

Genre:

Chamber


Classical

Total Time - 60:16
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Chamber Music (Baroque Italian) - MERULO, C. / GABRIELI, A. / CANALI, F. / MORTARO, A. / CIMA, G.P. (Musica Fiorita) (Ensemble Galliarda)

     
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CLAUDIO MERULO

1 

Canzona La Bovia a 4

1:44
     
2 

Canzona La Zambeccara a 4

1:56
     
 

ANDREA GABRIELI

3 

Intonazione settimo tono per organo

1:17
     
 

FLORIANO CANALI

4 

Canzona La Averolda a 4

1:56
     
 

ANTONIO MORTARO

5 

Canzona La Claudia a 4

3:37
     
 

GIOVANNI PAOLO CIMA

6 

Sonate in a

3:11
     
 

GIROLAMO ALESSANDRO FRESCOBALDI

7 

Partita sopra La Follia

6:57
     
8 

Canzona IV a due bassi e canto della La Nobile

2:07
     
 

9 

Sonata

3:06
     
 

GIOVANNI BATTISTA GRILLO

10 

Sonata I a 7

3:56
     
 

MARCO UCCELLINI

11 

Sonata undecima a 2 canti e 2 bassi

3:42
     
 

DARIO CASTELLO

 

Sonate concertate per due canti e basso

 
12 I. Sonata prima 5:05
     
13 II. Seconda sonata 5:04
     
 

14 

La Bergamasca

1:35
     
 

BIAGIO MARINI

15 

Sonata a due, basso e violino

4:05
     
16 

Sinfonia La Zorzi

3:04
     
 

GIOVANNI MARTINO CESARE

17 

Canzona La Vittoria a 6

3:26
     
 

MARCO UCCELINI

18 

Aria sopra La Bergamasca

4:28
     
  Ensemble Galliarda Ensemble


 In 2008 we celebrate the centenary of Hugo Distler, one of the most important German composers of the 20th century. 

 
Right at the start of the Distler-year Musicaphon brings a first recording: The stage music to the play "Knight Bluebeard" by Ludwig Tieck, composed by Distler in 1940 using material from his harpsichord concerto he had created five years earlier. Therefore it makes sense to combine both works on one album. Moreover the elder recording of the harpsichord concerto with Huguette Dreyfus was not available for a long time but counts as the reference recording of that work until today. 
 
Besides the interesting use of musical material from the harpsichord concerto the stage music to "Knight Bluebeard" is meaningful for several reasons. Firstly this work should be the opener for Distler to the world of the opera (which did not work resulting from circumstances Distler had no influence in), and secondly it bears (and shows) subtile political resistance. 
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