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MS 2040
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MS 2040
Invisible Cities

Music by Alwynne Pritchard

Released Date:
01 May 2008

Originally recorded in 2008

Artists:

Betsy Taylor

cello

Guy Cowley

clarinet

Darragh Morgan

electric violin

Alan Thomas

guitar

Ian Pace

piano

Darragh Morgan

violin

Alwynne Pritchard

voice

Topologies



Venue:

Holy Trinity Church, Weston. Herts. UK


Christs Hospital, Horsham


University of Nottingham



Engineer:

David Lefeber



Record Label
Metier

Genre:

Chamber


Contemporary

Total Time - 73:47
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Invisible Cities

 

ALWYNNE PRITCHARD

Select Complete Single Disc for
     
1 

Spring

1:05
 Ian Pace piano
     
2 

Piano Quintet: Barbara Allen

8:19
 Ian Pace piano
     
3 

Nostos Ou Topos (Version 1)

3:36
 Alan Thomas guitar
     
4 

Nostos Ou Topos (Version 2)

3:56
 Alan Thomas guitar
     
5 

Matrix

13:37
 Darragh Morgan electric violin
     
 

Der Zwerg

 
6 I In truben Licht 6:17
 Ian Pace piano
7 II Er spricht 4:48
 Ian Pace piano
     
8 

Kit

9:37
 Alwynne Pritchard voice
 Darragh Morgan electric violin
     
9 

Der Glucklose Engel

9:02
 Guy Cowley clarinet
 Darragh Morgan violin
 Betsy Taylor cello
     
10 

Invisible Cities

13:30
 Ian Pace piano


Cutting-edge contemporary music for both chamber ensembles and solo instruments by this highly individualistic and well-regarded composer.

Alwynne Pritchard was born in Glasgow in 1968. Encouraged by her father, the composer Gwyn Pritchard, she began composing as a teenager and went on to study composition with Robert Saxton at the Guildhall School of Music, and later with Justin Connolly and Michael Finnissy at the Royal Academy of Music where she was awarded many prizes for her work. She has since been distinguished by critics for her "strong, spare language" and "restrained eloquence".

“ Now that we’re in the new millennium, Pritchard is questioning everything about her own musical assumptions and here are some of the answers, brilliantly performed by members of [Ian] Pace’s Topologies ensemble ”

Philip Clark

The Wire

“These pieces are very different from each other… [Pritchard’s] prevailing mood and sound vocabulary is astringent, never music to ’wallow’ in for old-style sensual satisfaction. The performances, recorded in vivid sound, presumably in association with the composer, are persuasive and this is an intriguing release. ” 

Peter Grahame Woolf

Classical Net

“With formidably well-realised performances from the members of Topologies, and sound which finds clarity and impact in a variety of recording locations, this is an important disc, helping to ensure that Alwynne Pritchard’s music can be heard and well discussed.”

Richard Whitehouse

Gramophone



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