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MS 2089
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MS 2089
Niccolo Castiglioni - Piano Music

Piano Music by Niccolo Castiglioni

The Classical Shop
release date: August 2008

Originally recorded in 2008

Artists:

Sarah Nicolls

Piano

Venue:

Vestry Hall, London



Engineer:

David Lefeber



Record Label
Metier

Genre:

Piano


Contemporary

Total Time - 58:48
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Niccolo Castiglioni - Piano Music

 

NICCOLO CASTIGLIONI

Select Complete Single Disc for
     
1 

Cangianti

10:56
     
 

Tre Pezzi

 
2 I 1. Sweet 6:15
3 II 2. Kinderlied ohne Worte 5:36
4 III 3. Fregi 6:09
     
 

Come io passo l'estate

 
5 I 1. Arrivo a Tires 0:49
6 II 2. La Fossa del Lupo 1:06
7 III 3. Andiamo al Rifugio Bergamo 1:06
8 IV 4. La Valle del Ciamin 1:00
9 V 5. Il Buco dell'Orso 0:39
10 VI 6. La Fontanella di Ganna 0:37
11 VII 7. Ghiaccio sul Rosengarten 1:02
12 VIII 8. Antonio Ballista dorme in casa el Carabineri 1:38
13 IX 9. Il Fantasma del Castello de Presule 0:40
14 X 10. Canzone per il mio Compleanno 0:37
     
 

Dulce Refrigerium (Sechs Geistliche Lieder)

 
15 I 1 Humilitas 1:57
16 II 2. Humus 2:17
17 III 3. Urquelle 1:15
18 IV 4. Lied 1:40
19 V 5. Liebeslied 1:48
20 VI 6. Choral 0:17
     
 

Sonatina

 
21 I 1. Andantino mosso assai dolcimo 5:26
22 II 2. Laendler 0:44
23 III 3. Fughetta 1:10
     
24 

HE

4:04
     
 Sarah Nicolls Piano


The sparkling, shimmering surface of music of Castiglioni’s work is quite unlike anything else in modern Italian music. Coloured by his work in the theatre and literary allusion these piano pieces are wonderfully played by Sarah Nicolls.
 

“It’s splendid to have a single disc devoted to the piano music of Castiglioni… such discs as Sarah Nicolls has now compiled are very much a rarity. The recorded sound is commendably clear yet warm and Nicolls explores these diverse works with a surety and finesse that are admirable – and truly winning.”

Jonathan Woolf

Music Web

“The objectivity of post-darmstadt modernism hangs over everything in Noccolò Castiglioni’s music, but through this prism he’s free to express anything he wants. There’s florid decoration owing much to the vocal acrobatics of Italian opera; references to Baroque and classical keyboard stylings abound everywhere, and Castiglioni even plunders ragtime in one piece. British pianist Sarah Nicolls has a ball.”

Philip Clark

The Wire



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