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MS 8534
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MS 8534
FORTMANN, T.: Prolitheus / A Southern Diary / Con Pepe e Zucchero (In Dust We Trust) (Grabiec, M. Quint, Lapegna, Padovani, Masuko, Korsakova)

FORTMANN, T.: Prolitheus / A Southern Diary / Con Pepe e Zucchero (In Dust We Trust) (Grabiec, M. Quint, Lapegna, Padovani, Masuko, Korsakova)

The Classical Shop
release date: August 2013

Originally recorded in 2013

Artists:

Andrej Grabiec

Soloist

Manrico Padovani

Soloist

Misha Quint

Soloist

Akemi Masuko

Soloist

Natasha Korsakova

Soloist

Record Label
Metier

Genre:

Chamber


Classical

Total Time - 60:56
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FORTMANN, T.: Prolitheus / A Southern Diary / Con Pepe e Zucchero (In Dust We Trust) (Grabiec, M. Quint, Lapegna, Padovani, Masuko, Korsakova)

     
Select Complete Single Disc for
 

THOMAS FORTMANN

     
 

Prolitheus

 
1 I. Ouverture sacrale 3:47
2 II. Estatico 3:37
3 III. Blue 4:50
4 IV. Rondo finto 6:28
5 V. Romantico 7:44
6 VI. Finale con fuoco 3:44
 Andrej Grabiec Soloist
 Misha Quint Soloist
     
 

A Southern Diary

 
7 I. Houston University 3:53
8 II. New Orleans at Fritzel's 3:33
9 III. Biloxi Motel 4:07
10 IV. Alabama Breeze 3:20
 Manrico Padovani Soloist
 Akemi Masuko Soloist
     
 

Con Pepe e Zucchero

 
11 I. Blues Cattolico 5:37
12 II. Ripa Verde 2:54
13 III. Dodecafollia 5:05
14 IV. Alinghi 2:17
 Manrico Padovani Soloist
 Natasha Korsakova Soloist
     


Thomas Fortmann is a Swiss composer with strong roots and many years of experience in the rock music arena. SInce switching his attention the contemporary classical field he has found a distinctive voice which has earned him fame and notoriety around Europe - an eclectic mix of serialism, jazz, blues, theater, circus and cabaret music makes his work varied and entertaining while often carrying (as with his Requiem for an Unborn Child - divine art 25047)a serious message. Prolitheus Suite was given its US premiere at the Carnegie Hall after its first performance in Italy brought amazing accolades.
 

 "Swiss-born composer Thamas Fortmann is revealed here as a skilful and intuitive chamber music composer. His language is often old-fashioned, but his sense for timbral blending and his playfully neo-Baroque construction have a timeless appeal... clever, elegant, and compelling, which is a good general description of Thomas Fortmann’s work in general."

Peter Burwasser - Fanfare - January/February 2014


"...[Fortmann’s] chamber music if of interest regardless of whether we knew his music before or not ... a very palpable sense of structure conjoined with an artit’s attention to emotive power. The performances are quite fine. Thomas Fortmann has a vivid, inventive soul. Bravo and encore!"

Grego Edwards - Gappelgate New Music Review




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