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MU 1147
MOZART, W.A.: Piano Concerto No. 20 / BEETHOVEN, L. van: Piano Sonata No. 3 (Two Newly Discovered Broadcast Recordings) (Michelangeli) (1967, 1975)

MOZART, W.A.: Piano Concerto No. 20 / BEETHOVEN, L. van: Piano Sonata No. 3 (Two Newly Discovered Broadcast Recordings) (Michelangeli) (1967, 1975)

The Classical Shop
release date: August 2013

Originally recorded in 2013

Artists:

Stuttgart Philharmonic Orchestra

Orchestra

Karl Munchinger

Conductor

Arturo Benedetti Michelangeli

Soloist

Venue:

Salle Pleyel, Paris, France

Venue

Liederhalle, Stuttgart, Germany

Venue

Record Label
Music and Arts

Genre:

Orchestral & Concertos


Classical

Total Time - 57:46
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MOZART, W.A.: Piano Concerto No. 20 / BEETHOVEN, L. van: Piano Sonata No. 3 (Two Newly Discovered Broadcast Recordings) (Michelangeli) (1967, 1975)

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

 

Piano Concerto No. 20 in D minor, K. 466

 
1 I. Allegro 14:59
2 II. Romance 9:31
3 III. Rondo: Allegro assai 8:00
 Karl Munchinger Conductor
     
 

LUDWIG VAN BEETHOVEN

 

Piano Sonata No. 3 in C major, Op. 2, No. 3

 
4 I. Allegro con brio 10:18
5 II. Adagio 6:38
6 III. Scherzo: Allegro - Trio 3:08
7 IV. Allegro assai 5:12
     
 Arturo Benedetti Michelangeli Soloist


Whether or not Arturo Benedetti Michelangeli was the 20th century’s ultimate obsessively perfectionist pianist, his legendary and enigmatic standing in the international classical music arena continues to make good copy. In many respects, the pianist fuelled the flames of mystery that surrounded him. Even at the start of his career, Michelangeli had mastered the art of making himself scarce. Like Gould, Horowitz, Argerich and Richter, Michelangeli harbored a reclusive streak, did not enjoy the most robust health, and was prone to cancel engagements, or even whole tours, at the last minute. One wonders if Michelangeli cancelled more concerts than he actually played. He proved equally parsimonious in regard to the works he chose to perform in public, and it’s safe to say that Michelangeli had the smallest active repertoire of any great pianist. (In private, however, Michelangeli’s students and colleagues attested to the enormous amount of music he knew). This album presents never-before-released interpretations of two memorable performances in splendid sound, approved by his estate.
 
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