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MU 1252
(this is a multiple CD album sold separately)
BEETHOVEN, L. van: Symphonies Nos. 1-9 / Overtures (Philharmonia Orchestra, Klemperer) (1960)

BEETHOVEN, L. van: Symphonies Nos. 1-9 / Overtures (Philharmonia Orchestra, Klemperer) (1960)

The Classical Shop
release date: August 2013

Originally recorded in 2013

Artists:

Philharmonia Orchestra

Orchestra

Otto Klemperer

Conductor

Pietro Alessandro Guglielmi Chamber Orchestra

Orchestra

Wilma Lipp

Soloist

Ursula Boese

Soloist

Wiener Singverein

Choral

Venue:

Vienna Festival, Austria

Venue

Record Label
Music and Arts

Genre:

Orchestral & Concertos


Classical

Total Time - 386:38
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BEETHOVEN, L. van: Symphonies Nos. 1-9 / Overtures (Philharmonia Orchestra, Klemperer) (1960)

     
 

LUDWIG VAN BEETHOVEN

     


Select Complete Single Disc for
 

Symphony No. 1 in C major, Op. 21

 
1 I. Adagio molto - Allegro con brio 9:23
2 II. Andante cantabile con moto 8:16
3 III. Menuetto - Allegro molto e vivace 3:51
4 IV. Adagio - Allegro molto e vivace 6:06
5 Applause 0:16
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Symphony No. 3 in E flat major, Op. 55, "Eroica"

 
6 I. Allegro con brio 15:44
7 II. Marcia funebre: Adagio assai 14:49
8 III. Scherzo: Allegro vivace 6:13
9 IV. Finale: Allegro molto 12:18
10 Applause 0:19
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
     


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Symphony No. 2 in D major, Op. 36

 
1 I. Adagio molto - Allegro molto 13:21
2 II. Larghetto 11:53
3 III. Scherzo 3:47
4 IV. Allegro molto 6:44
5 Applause 0:18
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Symphony No. 7 in A major, Op. 92

 
6 I. Poco sostenuto - Vivace 12:43
7 II. Allegretto 9:29
8 III. Presto, assai meno presto 8:08
9 IV. Allegro con brio 7:58
10 Applause 0:21
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
     


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Symphony No. 4 in B flat major, Op. 60

 
1 I. Adagio - Allegro vivace 11:51
2 II. Adagio 9:46
3 III. Menuetto: Allegro vivace 5:34
4 IV. Allegro ma non troppo 7:15
5 Applause 0:21
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Symphony No. 8 in F major, Op. 93

 
6 I. Allegro vivace e con brio 9:50
7 II. Allegretto scherzando 4:14
8 III. Tempo di menuetto 5:00
9 IV. Finale: Allegro vivace 7:59
10 Applause 0:19
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Egmont, Op. 84: Overture

 
11 Overture 9:35
12 Applause 0:17
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Die Geschopfe des Prometheus (The Creatures of Prometheus), Op. 43: Overture

 
13 Overture 5:27
14 Applause 0:20
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
     


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Symphony No. 5 in C minor, Op. 67

 
1 I. Allegro con brio 8:03
2 II. Andante con moto 9:53
3 III. Allegro 5:47
4 IV. Allegro - Presto 11:23
5 Applause 0:18
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 

Symphony No. 6 in F major, Op. 68, "Pastoral"

 
6 I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo 13:17
7 II. Scene by the Brook: Andante molto mosso 13:25
8 III. Merry Gathering of Country Folk: Allegro 3:48
9 IV. Thunderstorm: Allegro 3:35
10 V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto 8:49
11 Applause 0:20
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
     


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Symphony No. 9 in D minor, Op. 125, "Choral"

 
1 I. Allegro ma non troppo, un poco maestoso 16:36
2 II. Molto vivace 14:57
3 III. Adagio molto e cantabile 14:06
4 IV. Finale: Presto - Allegro assai 24:16
5 Applause 0:19
 Wilma Lipp Soloist
 Ursula Boese Soloist
     
 

Overture to Collin's Coriolan, Op. 62, "Coriolan Overture"

 
6 Overture to Collin's Coriolan, Op. 62, "Coriolan Overture" 8:19
7 Applause 0:19
 Pietro Alessandro Guglielmi Chamber Orchestra Orchestra
     
 Otto Klemperer Conductor


Colin Anderson writes in his note: "An aura of greatness informs Klemperer’s conducting of Beethoven ... Klemperer’s strong sense of structure ensures an unbroken line and a true sense of arrival. Also, Klemperer’s distrust of sound for its own sake (the antithesis to Karajan) gives his performances an unvarnished quality, an inner truthfulness. Beethoven’s music is presented as rough-hewn yet not without its own beauty, lyricism and consolation alongside its heroic and humanistic characteristics - all this can be heard in these recorded-live performances from Vienna."
 
Newly restored from the best surviving sources by Aaron Z. Snyder (2011)
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