Background Image Background Image Background Image
background image

N1 5352
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
Naive Logo
N1 5352
STRAVINSKY, I.: Violin Concerto / PROKOFIEV, S.: Violin Concerto No. 2 (Kopatchinskaja, London Philharmonic, V. Jurowski)

STRAVINSKY, I.: Violin Concerto / PROKOFIEV, S.: Violin Concerto No. 2 (Kopatchinskaja, London Philharmonic, V. Jurowski)

The Classical Shop
release date: January 2014

Recorded in 24 Bit / 96Khz
album available as a Studio File
Originally recorded in 2013

Artists:

London Philharmonic Orchestra

Orchestra

Vladimir Jurowski

Conductor

Patricia Kopatchinskaja

Soloist

Record Label
Naive

Genre:

Orchestral & Concertos


Classical

Total Time - 51:05
background image
SELECT YOUR MUSIC FORMAT FROM THE OPTIONS BELOW*
onquestion marklosslessquestion markStudio Fileoffquestion mark 
*if you purchase a higher level format, we include the lower formats free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless or better
 
DOWNLOADS
Buttonbooklet

STRAVINSKY, I.: Violin Concerto / PROKOFIEV, S.: Violin Concerto No. 2 (Kopatchinskaja, London Philharmonic, V. Jurowski)

     
Select Complete Single Disc for
 

IGOR STRAVINSKY

 

Violin Concerto in D Major

 
1 I. Toccata 05:30
2 II. Aria I 04:18
3 III. Aria II 04:58
4 IV. Capriccio 05:54
5 IV. Cadenza 02:53
     
 

SERGEY PROKOFIEV

 

Violin Concerto No. 2 in G Minor, Op. 63

 
6 I. Allegro moderato 11:12
7 II. Andante assai 10:06
8 III. Allegro, ben marcato 06:14
     
 Patricia Kopatchinskaja Soloist
 Vladimir Jurowski Conductor


The two violin concertos together on this recording have many affinities than differences. Due to two creators in conflict with their native Russian land - one choosing the way back, the other settling permanently in exile - they belong to the aesthetics of the "return to order" soon observed 1920 and marked by the recovery of models from the past. If Prokofiev preserves the traditional foundations of the concerto, but he marries the search for a new lyricism. About Stravinsky, he elaborates, to him, while offering proven voluntarily distanced neutral and expressive models.

 "... I found plenty  to enjoy and admire yet again in Kopatchinskaja’s playing ... her musicianship remains distinctively individual"

Mark Pullinger - International Record Review - February 2014




No User Reviews Found.