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NA 4706
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NA 4706

VERDI: Aida (Highlights)

Released Date:
01 Aug 2008

Originally recorded in 2008

Artists:

Ireland National Symphony Orchestra


Ricco Saccani


Mark Rucker

baritone

Riccardo Ferrari

bass

Francesco Ellero d' Artegna

bass

Barbara Dever

mezzo-soprano

Maria Dragoni

soprano

Kristjan Johannson

tenor

Record Label
Naxos

Genre:

Classical




Total Time - 67:13
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GIUSEPPE VERDI

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Aida

 
1 Prelude 4:13
2 Act I: Se quel guerrier io fossi! ... Celeste Aida 4:29
3 Act I: Ritorna vincitor! ... I sacri nomi di padre, d'amante 6:30
4 Act I: Dance of the Priestesses 2:38
5 Act II: Dance of the Moorish Slaves 1:47
6 Act II: Sul del Nilo al sacro lido ... Numi, pieta del mio martir 2:54
7 Act II: Gloria all' Egitto 3:20
8 Act II. Grand March 1:35
9 Act II: Ballet Music 4:44
10 Act II: Vieni, o guerrero vindice 2:29
11 Act III: Qui Radames verra! ... O patria mia 6:23
12 Act III: Ciel mio padre! ... Su dunque! 5:09
13 Act IV: L'Aborrita rivale a me sfuggia ... Gia i Sacerdoti 3:55
14 Act IV: Die mie discolpe 0:59
15 Act IV: Morire! Ah, tu dei vivere 2:39
16 Act IV: Chi ti salva, sciagurato 0:37
17 Act IV: E la morte un ben supremo 1:25
18 Act IV: La fatal pietra ... Morir! si pura e bella 6:08
19 Act IV: O terra, addio; addio di vale di pianto 5:19
     
  Francesco Ellero d' Artegna bass
 Barbara Dever mezzo-soprano
 Maria Dragoni soprano
 Riccardo Ferrari bass
 Kristjan Johannson tenor
 Mark Rucker baritone
 Ricco Saccani


In the course of a long life Giuseppe Verdi came to dominate Italian opera, after his first significant success with Nabucco in 1842. His Egyptian opera Aida was written for performance at the new Cairo opera house, which had opened with a performance of his opera Rigoletto. The story of the enslaved Ethiopian princess Aida and her love for the Egyptian hero Radamès, in rivalry with her mistress, the Egyptian princess Amneris, and the death of the first two, has some basis in the Hellenistic Aethiopica of Heliodorus, but was claimed as the original work of Auguste Mariette, known as Mariette Bey. It has been suggested that Temistocle Solera was responsible for the scenario, but if this was so, the fact was unknown to Verdi, who had quarrelled with Solera in 1846 over the libretto of his opera Attila. The text of Aida was by Antonio Ghislanzoni. The opera was staged in Cairo on Christmas Eve 1871 and at La Scala, Milan, in February 1872, in both places to very considerable acclaim.

"...The most impressive performer is indeed the fiery, plush-voiced, confident Dever... Gragoni is an interesting, highly individual Aida with some temperament and a good high C..."
 
Ralph V Luciano - American Record Guide - June 2001



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