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NA 7433
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NA 7433

BARTOK: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite

The Classical Shop
release date: July 2008

Recorded in 24 Bit / 44.1Khz
album available as a Studio File
Originally recorded in 2008

Artists:

Bournemouth Symphony Orchestra


Marin Alsop


Bournemouth Symphony Chorus



Record Label
Naxos

Genre:

Classical




Total Time - 62:12
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BELA BARTOK

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82

 
1 Opening – The girl and three tramps 3:18
2 First seduction game: the shabby old rake 3:41
3 Second seduction game: the young student 3:10
4 Third seduction game 1:39
5 The Mandarin enters and remains immobile in the doorway 2:31
6 The girl begins a hesitant dance… 5:48
7 The Mandarin stumbles – the chase becomes even more passionate 0:41
8 The three tramps leap out, seize the Mandarin and tear him away from the girl 2:52
9 Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl 3:20
10 The terrified tramps discuss how they are to get rid of the Mandarin 1:56
11 The body of the Mandarin begins to glow with a greenish blue light 1:52
12 She resists no longer – they embrace 2:04
     
 

Dance Suite, BB 86b

 
13 I. Moderato 3:55
14 II. Allegro molto 2:21
15 III. Allegro vivace 3:10
16 IV. Molto tranquillo 2:52
17 V. Comodo - Finale 5:16
     
 

Hungarian Pictures, Sz. 97

 
18 An Evening in the Village 3:04
19 Bear Dance 1:47
20 Melody 2:08
21 Slightly Tipsy 2:26
22 Swineherd's Dance 2:21
 Marin Alsop
Bartók: The Miraculous Mandarin; Dance Suite – Bournemouth Symphony Orchestra, Alsop

‘Marin Alsop conducts powerful, colourful performances of the controversial and violent ballet The Miraculous Mandarin in its full form, coupled with the Dance Suite of 1923, demonstrating in both the orchestra’s virtuosity and the conductor’s versatility. Helpfully, each of the 12 sections is separately banded. The Dance Suite in this performance brings together rustic vitality and orchestral refinement, a more genial reading than many, while the Hungarian Pictures, with Bartók’s own orchestrations of early piano pieces, makes a relaxed tailpiece.’

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