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NE 0154
LISZT, F.: Organ Music, Vol. 5 (Haselbock)

LISZT, F.: Organ Music, Vol. 5 (Haselbock)

The Classical Shop
release date: October 2012

Originally recorded in 2009

Artists:

Martin Haselbock

Soloist

Record Label
New Classical

Genre:

Instrumental


Classical

Total Time - 54:56
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LISZT, F.: Organ Music, Vol. 5 (Haselbock)

     
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FRANZ LISZT

     
1 

In domum Domini ibimus (Zum Haus des Herren ziehen wir), S57/R509

3:30
     
 

2 Kirchenhymnen, S669/R394

 
2 No. 2. Ave maris stella 4:42
3 No. 1. Salve Regina, nach dem gregorianischen Kirchengesang 4:47
     
4 

Introitus, S268/1/R390/1

3:48
     
 

Missa pro organo lectarum celebrationi missarum adjumento inserviens, S264/R384

 
5 Kyrie 1:35
6 Gloria 2:52
7 Graduale 1:27
8 Credo 2:50
9 Offertorium 1:38
10 Sanctus 2:33
11 Benedictus 2:12
12 Agnus dei 2:08
     
 

Rosario, S670/R396

 
13 No. 1. Mysteria gaudiosa 1:44
14 No. 2. Mysteria dolorosa 1:42
15 No. 3. Mysteria gloriosa 2:01
     
16 

San Francesco, S499a, "Preludio per il Cantico del sol di San Francesco"

5:08
     
17 

Ave Maria IV, S545/R194

2:21
     
18 

O sacrum convivium, S58/515

5:25
     
19 

In festo transfigurationis Domini nostri Jesu Christi, S188/R74

2:33
     
 Martin Haselbock Soloist


Franz Liszt was one of the most brilliant composer and pianist of the Romantic period.  He left numerous orchestral works and vocal works, as well as literary, philosophical and religious writings. His most imposing estate are indisputably his organ works. The focus of this, the fifth part of the series are his late works that contain religious themes and sacred music compositions. 

Compositions from this period of Liszt’s output such as "Rosario", "Ave Maria" or "Salve Regina" can be found in the fifth part of the organ works, an extraordinary musical experience guaranteed from the "King of Instruments."  With this impressive performance the multi-award-winning organist, conductor and composer Prof. Martin Haselboeck has succeeded, at the Ladegast organ of the cathedral at Schwerin (Opus 58, 1871 ) with his interpretation of Liszt’s organ works to create an impressive sound world. 

Especially in the his later works Liszt created individual and smaller compositions for organ or harmonium, which reveal increasingly clear trends in composing. 

On the one hand he created intimate, quiet pieces that are now used solely for private prayer exercise and on the other hand blocky "simplified" plenary pieces that are usually associated with anthemic choral works and divorced from any recognizable musical function. 

 

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