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NE 0169
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NE 0169
Flute and Guitar Recital: Riessbeck, Elisabeth / Jackle, Klaus - VERENO, K. / MCGUIRE, E. / SCHULTHEISS, U. / HEIDER, W. / FELDMANN, K. (Nuances)

Flute and Guitar Recital: Riessbeck, Elisabeth / Jackle, Klaus - VERENO, K. / MCGUIRE, E. / SCHULTHEISS, U. / HEIDER, W. / FELDMANN, K. (Nuances)

The Classical Shop
release date: October 2012

Originally recorded in 2010

Artists:

Klaus Jackle

Soloist

Elisabeth Riessbeck

Soloist

Record Label
New Classical

Genre:

Chamber


Classical

Total Time - 75:32
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Flute and Guitar Recital: Riessbeck, Elisabeth / Jackle, Klaus - VERENO, K. / MCGUIRE, E. / SCHULTHEISS, U. / HEIDER, W. / FELDMANN, K. (Nuances)

     
Select Complete Single Disc for
     
 

KLEMENS VERENO

 

… schatten von sternen

 
1 I. — 5:10
 Klaus Jackle Soloist
     
2 II. — 2:26
 Klaus Jackle Soloist
     
3 III. — 8:40
 Klaus Jackle Soloist
     
4 IV. — 5:59
 Klaus Jackle Soloist
     
 

EDWARD MCGUIRE

5 

Improvisations on Calderon

12:29
 Elisabeth Riessbeck Soloist
     
 

ULRICH SCHULTHEISS

 

nuances

 
6 I. — 2:57
 Klaus Jackle Soloist
     
7 II. — 3:30
 Elisabeth Riessbeck Soloist
     
8 III. — 0:54
 Elisabeth Riessbeck Soloist
     
 

WERNER HEIDER

 

Seligkeiten

 
9 No. 1. — 1:43
 Elisabeth Riessbeck Soloist
     
10 No. 2. — 1:52
 Klaus Jackle Soloist
     
11 No. 3. — 3:25
 Elisabeth Riessbeck Soloist
     
12 No. 4. — 2:04
 Elisabeth Riessbeck Soloist
     
13 No. 5. — 2:40
 Klaus Jackle Soloist
     
 

KLAUS FELDMANN

 

Dodeka Suite

 
14 I. Andante 2:17
 Elisabeth Riessbeck Soloist
     
15 II. Animato 2:13
 Klaus Jackle Soloist
     
16 III. Largo 2:43
 Klaus Jackle Soloist
     
17 IV. Allegro 1:54
 Klaus Jackle Soloist
     
18 V. Fuge 1:33
 Klaus Jackle Soloist
     
 

LOWELL LIEBERMANN

 

Sonata for Flute and Guitar, Op. 25

 
19 I. Nocturne 8:23
 Elisabeth Riessbeck Soloist
     
20 II. Allegro 2:40
 Elisabeth Riessbeck Soloist


The programs of this production are marked by fine differences and shadings. New music for flute and guitar, a subtle combination, which characterises two different ways of creating sounds: blowing and plucking. Through the never ending diversity of new musical possibilities, it is exactly this, the "nuances", the finer points, that make the differences to the Compositions. 

The title track begins with "nuances" in the creation of sound, reducing the instrument to the noise of breathing or to the soundless clicking noises in the flute, as well as differing beat sounds in the guitar. Feldmann incorporates modern technique with jazz sounds, while Vereno discovers new harmonies on the guitar in his modal world of sound, Mcguire contrasts ordered, calmer pieces with improvised, almost hectic pieces, while Heider Distorts the blessed waltz beat and Liebermann moves into the end of this century with classical sounds, almost neo-classical, virtuoso and brilliant.

 

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