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NR 1388
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NR 1388
MOZART, W.A.: Litaniae lauretanae / Church Sonata No. 16 / Vesperae solennes de Dominica (New College Oxford Choir, Collegium Novum, Higginbottom)

MOZART, W.A.: Litaniae lauretanae / Church Sonata No. 16 / Vesperae solennes de Dominica (New College Oxford Choir, Collegium Novum, Higginbottom)

The Classical Shop
release date: March 2014

Recorded in 24 Bit / 96Khz
album available as a Studio File
Originally recorded in 2014

Artists:

Edward Higginbottom

Conductor

Collegium Novum

Ensemble

Inigo Jones

Soloist

Michael Alchin

Soloist

New College Oxford Choir

Choral

Collegium Novum

Chamber

Venue:

Church of St. Michael and All Angels, Summertown, Oxford, United Kingdom

Venue

Record Label
Novum

Genre:

Choir


Classical

Total Time - 63:06
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MOZART, W.A.: Litaniae lauretanae / Church Sonata No. 16 / Vesperae solennes de Dominica (New College Oxford Choir, Collegium Novum, Higginbottom)

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

     
 

Litaniae lauretanae, K. 195

 
1 Kyrie 06:53
2 Sancta Maria 07:53
3 Salus infirmorum 03:17
4 Regina angelorum 05:08
5 Agnus Dei 05:10
 Inigo Jones Soloist
 Michael Alchin Soloist
     
6 

Church Sonata No. 16 in C Major, K. 329

04:46
 Collegium Novum Ensemble
     
 

Vesperae solennes de Dominica, K. 321

 
7 Dixit Dominus 04:13
8 Confitebor tibi 06:00
9 Beatus vir 04:34
10 Laudate Pueri 04:13
11 Laudate Dominum 05:28
12 Magnificat 05:31
 Inigo Jones Soloist
 Michael Alchin Soloist
     
 Edward Higginbottom Conductor


New College Choir’s Novum label has reached its tenth issue with a fabulous Mozart release. In the short space of time of the label’s existence, Novum has established for itself a reputation for excellence, integrity, innovation and looks. For the new release, we travel to Salzburg, and get inside the skin of Mozart’s music for Archbishop Colloredo. Whatever the strain in personal relations between the two, Mozart produced the loveliest of compositions for his rather austere employer. New College Choir with Collegium Novum performs two of the best scores: the Litaniae Lauretanae (K195) and the Vesperae de Dominica (K321). Thrown in for good measure is the splendid orchestral Epistle Sonata in C (K329). The solo singing in these pieces is undertaken by Choir members, just as in Mozart’s day. This gives the recording an unusual homogeneity. It also reveals some astonishing talent.  
 
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