Background Image Background Image Background Image
background image

NX 2473
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
Naxos Logo
NX 2473

KOECHLIN, C.: Heures persanes (Les) (van Raat)

The Classical Shop
release date: May 2011

Originally recorded in 2011


Ralph van Raat



Sweelinckzaal, Amsterdam, the Netherlands

Record Label


Total Time - 56:33
Background Image Background Image Background Image
background image
Customers who bought this album, also bought...
BEETHOVEN, L. van: Overtures - Opp. 43, 62, 72 (Marriner)
TCHAIKOVSKY: Symphony No. 4 / Fate (reconstructed by R. R. Shoring)
GLIERE: Bronze Horseman / Shakh-Senem / Gyul'sara

Scroll Scroll

background image
mp3question marklosslessoff  
*when you purchase a lossless format, we include the MP3 free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless

KOECHLIN, C.: Heures persanes (Les) (van Raat)



Select Complete Single Disc for

Les heures persanes, Op. 65

1 No. 1. Sieste, avant le depart: Lent 3:42
2 No. 2. La caravane (reve, pendant la sieste): Pas vite 5:47
3 No. 3. L'escalade obscure: Adagio (non troppo) 1:55
4 No. 4. Matin frais, dans la haute vallee: Pas trop lent 2:49
5 No. 5. En vue de la ville: Moderato 1:45
6 No. 6. A travers les rues: Allegro vivo 4:08
7 No. 7. Chant du soir: Tres calme 2:05
8 No. 8. Clair de lune sur les terrasses: Andante moderato 3:10
9 No. 9. Aubade: Moderato 2:21
10 No. 10. Roses au soleil de midi: Presque adagio 2:21
11 No. 11. A l'ombre, pres de la fontaine de marbre: Moderato 2:24
12 No. 12. Arabesques: Allegro (non troppo) 1:45
13 No. 13. Les collines, au coucher du soleil: Tres calme 2:46
14 No. 14. Le conteur: Assez lent - Le Pecheur et le Genni - Le Palais enchante - Danse d'adolescents - Claire de lune sur les jardins 7:25
15 No. 15. La paix du soir, au cimetiere: Assez lent 6:22
16 No. 16. Derviches dans la nuit: Assez anime, nocturne, mysterieux - Variante - Clair de lune sur la place deserte 5:48
 Ralph van Raat Soloist

A pupil of Massenet and Fauré, the prolific French composer and teacher Charles Koechlin expanded traditional harmonies and compositional techniques and was much admired by his contemporaries. Les heures persanes was inspired by Vers Ispahan, Pierre Loti’s diary of a journey through Persia. Oriental atmospheres are recreated through cycles of day and night, and in piano writing completely new for its time. This evocative piece salutes Koechlin’s musical forebears as well as foreshadowing Messiaen through the “passionate and skilled” (The Sunday Times on 8.572570) advocacy of Ralph van Raat.

"...As much as I’ve enjoyed van Raat’s previous discs this one is really rather special. His judgment is impeccable and the playing is free of artifice or exaggeration. That, coupled with top-notch sound, makes this a mandatory purchase for all pianophiles...Richly rewarding; an ideal gateway to Koechlin’s fascinating soundscapes."

Dan Morgan - - July 2012

"The textures are rich ...with resonant chordal agglomerations and some decorative lines apparently meant to reflect the ornamentation of Islamic architecture. Much of it is highly approachable almost in a popular vein. Once you lock onto its wavelength, it’s hypnotically beautiful. I’ve rarely heard so effective a merging of 20th Century textures with traditional ones.Van Raat plays the music as though it were already standard repertoire, thus needed no didactic punching up. His approach also informs the work’s segments with an overall unity that’s entirely convincing. His intelligent notes are lagniappe."

Don O’Connor - American Record Guide - May 2012

"Neither composer Charles Koechlin nor his masterpiece, translated as The Persian Hours, is nearly as well known or popular as Granados’s Goyescas or Albéniz’s Iberia, let alone the music of Debussy, so they have fallen into the category of musical oddities.Enter pianist Ralph van Raat to the rescue. His recording of the suite, albeit slow-moving…has such tremendous atmosphere and a sense of presence that one is seduced into Koechlin’s world and his own interpretation within the first three minutes of the recording.Raat’s performance, as already mentioned, is both musical and fascinating in the extreme. If you love this kind of music, this is a CD you simply cannot live without."

Lynn René Bayley - Fanfare - July 2012

"Inspired by a diary kept by Pierre Loti during a trip through Persia, these “Persian Nights” not only prefigure Messiaen, just as Mompou does, but they prefigure Rautavaara, Part and Gorecki, in a way, too. Koechlin’s approach to the piano was orchestral and brilliant and busy orchestrator that he was, he orchestrated this in 1921. The continual rediscovery of Koechlin is among the ongoing musical news of our time. Performances here by Van Raat are superb."

Jeff Simon - The Buffalo News - February 2012

                     Performance   ***        Recording ****

"Koechlin has a highly individual style of piano writing that asks a lot of any pianist: terraced sonorities, widely spread chords, proto-Messiaenic harmonies, contrasted plains of colour, and a general sense of that stillness you find in hot, empty vistas. It’s good to have a bargain-price version from Naxos, and Ralph van Raat is a thoughtful interpreter. …This music is partly about the suspension of time, yet van Raat’s tempos are generally on the brisk side…when Koechlin creates a palpable sense of rhythm he is excellent, as in the dynamic build-up of ‘Le caravane’, and in the rare fast movements such as the riotous ‘A travers les rues’ and the concluding ‘Derviches dans la nuit’."

Calum MacDonald - BBC Music Magazine -  March 2012

"Oriental atmospheres, recreated through cycles of day and night, are brilliantly conveyed..."

Gavin Engelbrecht - The Northern Echo - January 2012

"...The Persian Hours derives from a book, Vers Ispahan, a diary by voluptuary Pierre Loti, recounting a long journey through Persia. The individual pieces capture different times of the day, embracing two and a half days total. A Siesta before departure opens the suite, in which he dreams of a traveling caravan, music touched perhaps by Borodin. L’escalade obscure (The dark ascent) concludes the opening half-day.Broken-tone passages illuminate a hazy world of flesh and fantasy, a mix of Debussy and Bartok, Satie and Stravinsky. Magic and gamelan tones weave a luxurious tapestry of sound, soft bells and gongs, chimes and occult tambourines. The music can be percussive, but the patina Raat projects on his sonorous Steinway…never becomes harsh or ugly."    ****

Gary Lemco - Audiophile Audition - February 2012

No User Reviews Found.