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NX 2515
SOLER, A.: Keyboard Sonatas Nos. 1-15 (Filjak)

SOLER, A.: Keyboard Sonatas Nos. 1-15 (Filjak)

The Classical Shop
release date: May 2011

Originally recorded in 2011

Artists:

Martina Filjak

Soloist

Venue:

Richard Jakoby Saal, Hochschule fur Musik und Theater Hannover, Germany


Auditori de Girona, Spain



Record Label
Naxos

Genre:




Total Time - 78:33
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SOLER, A.: Keyboard Sonatas Nos. 1-15 (Filjak)

 

ANTONIO SOLER

Select Complete Single Disc for
     
1 

Keyboard Sonata No. 1 in A major

4:27
     
2 

Keyboard Sonata No. 14 in G major

4:26
     
3 

Keyboard Sonata No. 2 in E flat major

3:17
     
4 

Keyboard Sonata No. 3 in B flat major

6:16
     
5 

Keyboard Sonata No. 4 in G major

3:58
     
6 

Keyboard Sonata No. 8 in C major

7:51
     
7 

Keyboard Sonata No. 6 in F major

3:42
     
8 

Keyboard Sonata No. 15 in D minor

3:42
     
9 

Keyboard Sonata No. 13 in G major

3:40
     
10 

Keyboard Sonata No. 7 in C major

4:47
     
11 

Keyboard Sonata No. 5 in F major

6:45
     
12 

Keyboard Sonata No. 9 in C major

4:55
     
13 

Keyboard Sonata No. 12 in G major, "De La Codorniz"

3:57
     
14 

Keyboard Sonata No. 11 in B major

7:37
     
15 

Keyboard Sonata No. 10 in B minor

9:13
     
 Martina Filjak Soloist


Soler was music master to the princes of Bourbon in El Escorial, the palace of the King of Spain. It’s probable that most of his keyboard sonatas were written for Prince Gabriel and these essentially private works—around 150 have survived—bear comparison with the works of Domenico Scarlatti and C.P.E. Bach. Soler was fond of dance rhythms and guitar imitations, as well as infectious and delightful modulations. These fifteen sonatas are heard here in the order proposed by Rubio’s catalogue. Pianist Martina Filjak—“brilliance, sensitivity and imagination” (New York Times)—is a much admired international artist.

           ****

Marco Bellano - Musica magazine - April 2012


"Filjak’s playing is crisp and clean, so all the details of the music come through, and the fine qualities of her playing are clearly heard in Naxos’ focused reproduction. Because these are educational pieces, which Soler composed for a Spanish prince to play, they are fairly predictable and concentrated on matters of technique, somewhat more than on imaginative flights of fancy. Even so, Filjak gives them considerable interest and charm, so this album is far from a series of routine exercises."

Blair Sanderson - Allmusic.com - September 2011




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