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NX 2584
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NX 2584
DEBUSSY, C.: Orchestral Works, Vol. 8 (Markl) - Preludes, Books 1 and 2 (arr. P. Breiner for orchestra)

DEBUSSY, C.: Orchestral Works, Vol. 8 (Markl) - Preludes, Books 1 and 2 (arr. P. Breiner for orchestra)

Released Date:
01 Oct 2012

Originally recorded in 2012
Artists:

Royal Scottish National Orchestra


Markl, Jun


Jun Markl

Conductor

Venue:

Glasgow Royal Concert Hall, Glasgow, Scotland, UK



Record Label
Naxos

Genre:

Orchestral & Concertos


Classical

Total Time - 75:42
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DEBUSSY, C.: Orchestral Works, Vol. 8 (Markl) - Preludes, Books 1 and 2 (arr. P. Breiner for orchestra)

     
Select Complete Single Disc for
     
 

PETER BREINER

 

Preludes, Book 1 (arr. P. Breiner for orchestra)

  
1 No. 1. Danseuses de Delphes 2:29
     
2 No. 2. Voiles 3:46
     
3 No. 3. Le vent dans la plaine 1:54
     
4 No. 4. Les sons et les parfums tournent dans l'air du soir 3:15
     
5 No. 5. Les collines d'Anacapri 3:23
     
6 No. 6. Des pas sur la neige 3:20
     
7 No. 7. Ce qu'a vu le vent d'ouest 2:58
     
8 No. 8. La fille aux cheveux de lin 2:38
     
9 No. 9. La serenade interrompue 2:35
     
10 No. 10. La cathedrale engloutie 5:03
     
11 No. 11. La danse de Puck 2:50
     
12 No. 12. Minstrels 2:25
     
 

CLAUDE DEBUSSY

 

Preludes, Book 2 (arr. P. Breiner for orchestra)

  
13 No. 1. Brouillards 2:51
     
14 No. 2. Feuilles mortes 2:49
     
15 No. 3. La puerta del vino 3:00
     
 

PETER BREINER

16 No. 4. Les fees sont d'exquises danseuses 3:56
     
17 No. 5. Bruyeres 3:19
     
18 No. 6. General Lavine - eccentric 3:09
     
19 No. 7. La terrasse des audiences du clair de lune 4:15
     
20 No. 8. Ondine 3:09
     
 

CLAUDE DEBUSSY

21 No. 9. Hommage a S. Pickwick Esq. P.P.M.P.C 2:29
     
22 No. 10. Canope 2:40
     
23 No. 11. Les tierces alternees 2:49
     
 

PETER BREINER

24 No. 12. Feux d'artifice 4:40
     
 Jun Markl Conductor
 Markl, Jun


Debussy completed his two books of Préludes in 1910 and 1913 respectively, and they contain some of his most visionary and poetic writing for piano. There are evocations of calm seascapes, delicate wind tracery, and snow-covered landscapes. Some moments are steeped in antiquity, such as La cathédrale engloutie, others in expressive portraiture, as in La fille aux cheveux de lin. There is even a cake-walk. The Préludes are performed here in the subtle and colouristic orchestrations of much-admired Slovak-born composer Peter Breiner.
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